Diaquarelle n°142, 2025
Stéphane Belzère  

Fine Art Drawings : Watercolour · 50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch · Ready to hang

$1,574 1 574 $US
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Shipped from: France

Delivery to: United States , $ 257

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 1 cm 19.7 x 19.7 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

51 x 51 x 2 cm 20.1 x 20.1 x 0.8 inch

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Description

"Diaquarelle n°142" is part of the "Diaquarelles" series, based on family, promotional slides or on archival funds collected from relatives, friends or anonymous people. In these watercolors, Stéphane Belzère explores a world of sidelined and abandoned analog images, because exponentially replaced by the arrival of digital technology.

This artwork is from a of slides from the Paris Art school (Beaux-Arts de Paris) from which the painter was graduated in 1990. It is a portrait of Japanese artist Yayoi Kusama, famous for her dots, shooted on March 16, 2000 probably during a conference or an opening by the C.I.D. (Information and Documentation Center) of the institution.

Stéphane Belzère, Diaquarelle n°142
France  • 1963

Presentation

Son of painters Jürg Kreienbühl and Suzanne Lopata, Stéphane Belzère shows a strong interest in the preservation of flesh, the food production, the anatomical forms and the representation of body. 

In the National Museum of Natural History in Paris, he painted the brains and organs of animals preserved in formalin jars. Source of attraction and repulsion, this obsessional motif offers the possibility of a dialogue between the flesh and the material of the paint. A meticulous observation of the sediments deposited in anatomical preparation jars is at the origin of the "Long paintings"; the strata of disintegrated materials, enlarged by the magnifying effect of glasses, evoke indifferently glacial and inner landscapes, real and imaginary worlds, between figuration and abstraction. Simultaneously, he has never ceased to deal with human figure, like for example his series of 700 intimate self-portraits, called "Nocturnal reflections", executed through the reflection of his kitchen window of his Berliner studio. 

Graduated from the Beaux-Arts de Paris, he has been the recipient of several prizes and his research on transparency has also led him to be commissioned stained glass windows for the Rodez Cathedral. His work is part of many public and private collections: Kunstmuseum Basel, FRAC Île-de-France, Strasbourg Museum of Modern and Contemporary Art, Daniel & Florence Guerlain Contemporary Art Foundation, Edouard and Maurice Sandoz Foundation…

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