Papio sphynx - 1932-205, Circa 2002
Stéphane Belzère  

Painting : oil · 92 x 85 x 4 cm 36.2 x 33.5 x 1.6 inch · Ready to hang

€5,600 5 600 €

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

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Dimensions ( cm • inch )

92 x 85 x 4 cm 36.2 x 33.5 x 1.6 inch Height x Width x Depth

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Description
This painting is part of the "Anatomical Jars" series, begun in 1995. In the "Soft Pieces" room of the National Museum of Natural History in Paris, Stéphane Belzère painted on the subject of animal brains and organs. stored in formalin jars. This motif, which has become obsessive, a source of attraction and repulsion, offers the possibility of a dialogue between the preserved flesh and the material of the paint, magnified by the colors and the transparency of the liquid.

Abstract

Anatomy

Semi-abstract

Stéphane Belzère, Papio sphynx  - 1932-205
France  • 1963

Presentation

Son of painters Jürg Kreienbühl and Suzanne Lopata, Stéphane Belzère shows a strong interest in the preservation of flesh, the food production, the anatomical forms and the representation of body. 

In the National Museum of Natural History in Paris, he painted the brains and organs of animals preserved in formalin jars. Source of attraction and repulsion, this obsessional motif offers the possibility of a dialogue between the flesh and the material of the paint. A meticulous observation of the sediments deposited in anatomical preparation jars is at the origin of the "Long paintings"; the strata of disintegrated materials, enlarged by the magnifying effect of glasses, evoke indifferently glacial and inner landscapes, real and imaginary worlds, between figuration and abstraction. Simultaneously, he has never ceased to deal with human figure, like for example his series of 700 intimate self-portraits, called "Nocturnal reflections", executed through the reflection of his kitchen window of his Berliner studio. 

Graduated from the Beaux-Arts de Paris, he has been the recipient of several prizes and his research on transparency has also led him to be commissioned stained glass windows for the Rodez Cathedral. His work is part of many public and private collections: Kunstmuseum Basel, FRAC Île-de-France, Strasbourg Museum of Modern and Contemporary Art, Daniel & Florence Guerlain Contemporary Art Foundation, Edouard and Maurice Sandoz Foundation…

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