First Snow, Drawing, Charcoal on Paper, 2018
Anyck Alvarez Kerloch  

Fine Art Drawings : charcoal · 59.9 x 45 x 0.3 cm 23.6 x 17.7 x 0.1 inch

$420 420 $US
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Shipped from: Spain

Delivery to: United States , $ 66

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

59.9 x 45 x 0.3 cm 23.6 x 17.7 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

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This seller offers discount when you purchase multiple artworks.

Description

Charcoal drawing on archival Ingres paper. Love the velvety quality of charcoal, its deep blacks and soft whites and that is the reason it was the medium chosen for this imagined winter landscape. There is always an awesomeness about the first fall of snow flakes. A fairy like feeling. This work depicts a snow fall at night.

Abstract

Pattern

Landscape

White

Black

Anyck Alvarez Kerloch, First Snow, Drawing, Charcoal on Paper
Spain  • 1957

Presentation

Artist Statement:

I work on several pieces at a time. When I get stuck on one, when I see there is something not working properly or something is lacking but I just can´t figure out what it is, I let it rest for a while (a few days, a few weeks or perhaps months) and move on to another. When I do come back to any of those recessed paintings I might be lucky and find a way out to make them work and other times they just have to be discarted. I don´t throw them away because I find that many can be used as a base or background for a new painting. The old is then integrated in the new work.
I consider myself mainly a figurative painter but I do feel the need to wander to the abstract and I usually use the drawing technique for that.
The process is what I like best , especially at the beginning when there is nothing to lose or at the very end when the work is so bad that there is absolutely nothing to lose either.
Sometimes I am blessed with a free flowing session and I come out of the studio feeling really great. Other times there are days in a row where nothing seems to come out right, but in the end I always get something out of these unsuccessful days for they push me to go further.
At the beginning my main subject was people but lately I have wandered to places that were not so interesting for me or towards which I found I had a prejudice. Like painting flowers for example. I always loved flowers but never thought about painting them. Now it has become a favorite subject and I find them quite a challenge. They are one of the hardest things to paint for me , their ephimeral quality and delicacy.
The imagery I use in my paintings is retreived from various sources: in my immediate surroundings , also from pictures I take of objects, scenes, landscapes and people , or just images I make up in my mind or the combination of all . Another great source of images are magazines and internet . There are thousands of pictures that I can use and combine in my paintings especially of people. To have a model posing whenever you need them is not so easy to find. However I must admit that there is nothing like painting the subjects live. Objects or people, the feeling is different.

Education:

BFA Concordia University, Montreal , Canada.
Faculty of Fine Arts University of Vigo, Spain.

Tags:

Figures, still life, seascapes, flowers, gestural, nature.

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