Grimm's Fairy Tales, 2026
Vladimir Kolosov   Emerging artists

Fine Art Drawings : pencil, ink · 50.8 x 40.6 x 0.6 cm 20 x 16 x 0.25 inch

$900 900 $US

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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

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Sold with certificate of Authenticity from the gallery

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Signature

Hand-signed by artist

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Dimensions ( cm • inch )

50.8 x 40.6 x 0.6 cm 20 x 16 x 0.25 inch Height x Width x Depth

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Description

“Grimm's Fairy Tales" by Vladimir Kolosov evokes the strange psychological atmosphere associated with the Fairy Tales by Jacob Grimm and Wilhelm Grimm. Rather than illustrating a single story, the artist created a visual condensation of many tales at once - a dreamlike cabinet of characters, masks, and metamorphoses. The artist builds a “House of Tales" with the central black structure resembles a tower, cage, or cabinet with compartments. The vertical bars divide the space like story windows. The fragments of characters: faces, animals, hybrid beings, etc. inside these “windows". It is like a library of myths and stories. 

It is common that in fairy tales, characters often live in isolated symbolic spaces: such as towers, forests, cages, enchanted houses, and so on and the central structure central structure visually merges all of these.

Painting reflects the core element of the brothers Grimm stories – transformation. Thus figures look half-human, half-animal, a rabbit - like head forming part of the architectural frame, a fox-like profile, a bird-like creature, and distorted human faces which are embedded in the structure. All this suggests that princes become frogs or beasts, witches disguise themselves, animals speak, humans change identity, identity itself is unstable.

This artwork brings us the feeling of the Dreamlike Grey Atmosphere (the grainy grey background feels like fog, dust, or ash) associated with the feeling of old stories resurfacing from the subconscious and sense of ancient time. Overall, this is very close to the psychological tone of original Grimm tales, which were often darker and stranger than modern children's versions.

This painting transforms Grimm's stories into a surreal theatre of archetypes, where animals, humans, and masks inhabit a mysterious tower of imagination.

“Grimm's Fairy Tales" connects visually and conceptually to both Hieronymus Bosch and Marc Chagall, but in different ways. Each of these artists used dreamlike imagery and symbolic figures, yet their emotional tone and compositional logic differ. And this artwork work sits interestingly between their worlds.

Artwork sold with Mat

Portrait

figurative

Surrealism

Faces

Black

Vladimir Kolosov, Grimm's Fairy Tales
Canada  • 1962
178 followers

Presentation

Vladimir Kolosov is a Canadian painter born in 1962, renowned for his multidisciplinary approach and distinctive neo-surrealist style. Originally from the USSR, he emigrated to Canada in 2006 and currently resides in Maple Ridge, British Columbia. From a young age, Kolosov was immersed in visual arts and music, developing an artistic sensibility that is reflected in his works. His academic background is extensive, including studies in fine arts, music, mathematics, physics, psychology, and business management, giving him a unique perspective on his artistic practice.

His work is characterized by an exploration of inner and outer worlds, using a variety of mediums such as oil, acrylic, watercolor, and pastels . Kolosov is recognized as a skilled colorist, creating compositions where colors play a central role in expressing emotions, contradictions, and contrasts. His paintings, often imbued with symbolism and metaphors, invite the viewer to reflect deeply on themes such as memory, time, identity, and the human condition.

Notable works include "Melancholic Observations of the Echoes from the Past," "Landscape with Levitating Metaphysical Still Life and Its Shadows," and "Hidden Thoughts Are Leaking Out." These pieces illustrate his ability to merge figurative and abstract elements to create enigmatic and evocative scenes. His style is influenced by artistic movements such as surrealism, metaphysical art, and abstract expressionism.

Kolosov has exhibited his work in various countries, including Canada, the United States, France, Germany, Italy, the United Kingdom, Slovakia, and Switzerland. He has also participated in interdisciplinary projects, such as the VOYZX Exhibition of Contemporary Surrealism in Vancouver in 2019 and 2021, and the international project Colours of My Ice-Dreams in collaboration with Carpigiani Gelato University and the Gelato Museum in Italy.

In addition to his artistic practice, Kolosov is an active art critic and curator. He has published essays on contemporary surrealism in international journals such as VOYZX Art, Surrealismo International (Spain), and Agulha Revista de Cultura (Brazil). His most recent book, “Vladimir Kolosov Through the Looking Glass" (VOYZX Press, 2022), offers an in-depth retrospective of his work.

A member of the AICA/IAAC (International Association of Art Critics) and the Vancouver Queer Art Festival, Kolosov continues to influence the contemporary art scene with his introspective approach and commitment to exploring the complexities of human experience through art.


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