Bronze Sculpture for Sale
Série coopérative d'achat des chalutiers de Sète - le chat, 2024
Fine Art Drawings : pencil, Indian ink · 17 x 12.5 x 0.2 cm 6.7 x 4.9 x 0.1 inch · Ready to hang
€120
120 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 8
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pencil , Indian ink on paper
Dimensions ( cm • inch )
17 x 12.5 x 0.2 cm 6.7 x 4.9 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
19.5 x 14.5 x 2.5 cm 7.7 x 5.7 x 1 inch
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
The artist, walks along the banks of Sète.
Walking, she observes around her and discovers a large box of notebooks, on which it was noted "cooperative for the purchase of Sète trawlers".
The notebooks were abandoned, she decided to retrieve them.
The drawings arrive as her gaze moves while she travels.
The drawing settles, a fluid gesture. In the artist's work, we often find the cat, the birds, the boats, faces, stories.
The black line takes hold of a fragile support. The ink imposes itself on old administrative paper. This contrast creates an immediate tension.
The face is drawn with an economy of means. A few nervous lines suggest a gaze and a silhouette. The gesture is quick, almost instinctive. It reveals a creative urgency.
The printed text and handwritten writings serve as a foundation. They anchor the composition in a bureaucratic and temporal reality. The drawing dialogues with these written traces. It crosses them and transforms them into graphic elements.
The composition plays on transparency and opacity. The deep black stands out against the beige of the yellowed paper. The whole evokes a fragmented memory. The gaze is drawn to the force of the line and the simplicity of the subject.
The handwritten inscription at the bottom of the page specifies the location and the date of creation. The printed text mentions a trawler cooperative in Sète.
Presentation
The artist, born in 1964 in Lyon, in a family where art occupied a central place, my father being a painter of Italian origin.
My artistic journey began in 1986 at the Beaux-Arts de Lyon, then at the Arts Appliqués de Lyon in 1987, where I was fortunate to be accompanied by the painter Philippe Aubanel. In 1988, I joined the Beaux-Arts de Saint-Étienne, where I deepened my approach with the support of professors such as Philippe Favier and Denis Laget. These years were significant for me: they allowed me to experiment, to doubt, to build, and above all, to connect with what I truly wanted to explore in my life.
I obtained my DNAP in 1991, followed by a CESAP in 1992, and finally my DNSEP in 1993, with Hervé Audouard as my research director. The painter Gérard Traquandi, who was on my jury, was another prominent figure during this period.
Her artistic approach revolves around two main axes: creation in the moment and the exploration of the imprint. In her travels, she collects found materials: cardboard, paper, old invoices to produce series that extend over time, exploring the energy and evolution of the gesture. At the same time, she works on the trace using paper or canvas supports that she deploys in natural landscapes. These prints capture the essence of places through their textures (stones, branches, paths), then are reinterpreted in the studio through color and emotion. Her work, influenced by significant artistic encounters such as Denis Laget, is part of a research around repetition, the disappearance of the subject and purity, where only the essential lines remain.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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