Contente toi du monde donné, Circa 2020
Painting : mixed media · 40 x 40 x 2.5 cm 15.7 x 15.7 x 1 inch · Ready to hang
$1,395
1 395 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 127
Estimated delivery: One to two weeks
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
40 x 40 x 2.5 cm 15.7 x 15.7 x 1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
The image unfolds like a visual diary. The nervous line guides the gaze between two central figures. On the right, a pale face dominates. It wears a golden crown, a symbol of fragile or feigned authority. The gaze is fixed, almost melancholic.
To its left, a dark animal silhouette emerges from an olive green background. This stylized cat seems to be on guard or observing the silence. Handwritten inscriptions punctuate the composition. They add a narrative dimension, transforming the canvas into a space for reflection.
The palette plays on marked contrasts. The chalky white of the face opposes the earthy tones and touches of bright red. These colored spots attract attention and rhythm the reading.
The material is worked with density. Scratches and superimpositions create a tactile relief on the support. The whole evokes raw art through its spontaneity and graphic freedom. The balance plays between the chaos of the lines and the structure of the forms. The final rendering emphasizes a tension between solitude and presence, orchestrated by thick black lines.
Presentation
The artist, born in 1964 in Lyon, in a family where art occupied a central place, my father being a painter of Italian origin.
My artistic journey began in 1986 at the Beaux-Arts de Lyon, then at the Arts Appliqués de Lyon in 1987, where I was fortunate to be accompanied by the painter Philippe Aubanel. In 1988, I joined the Beaux-Arts de Saint-Étienne, where I deepened my approach with the support of professors such as Philippe Favier and Denis Laget. These years were significant for me: they allowed me to experiment, to doubt, to build, and above all, to connect with what I truly wanted to explore in my life.
I obtained my DNAP in 1991, followed by a CESAP in 1992, and finally my DNSEP in 1993, with Hervé Audouard as my research director. The painter Gérard Traquandi, who was on my jury, was another prominent figure during this period.
Her artistic approach revolves around two main axes: creation in the moment and the exploration of the imprint. In her travels, she collects found materials: cardboard, paper, old invoices to produce series that extend over time, exploring the energy and evolution of the gesture. At the same time, she works on the trace using paper or canvas supports that she deploys in natural landscapes. These prints capture the essence of places through their textures (stones, branches, paths), then are reinterpreted in the studio through color and emotion. Her work, influenced by significant artistic encounters such as Denis Laget, is part of a research around repetition, the disappearance of the subject and purity, where only the essential lines remain.
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