Baiser , série d'achat des chalutiers de Sète, Circa 2025
Fine Art Drawings : pencil, Indian ink · x cm 0 x 0 inch
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 16
Estimated delivery: Less than one week
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Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
pencil , Indian ink on paper
Dimensions ( cm • inch )
x cm 0 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
The line unfolds here with instinctive freedom. The artist uses an unusual support, an old administrative document, to anchor their gesture in reality. The yellowed paper brings a temporal depth to the composition.
The drawing explores the human figure through quick and spontaneous lines. The gaze concentrates on the essential. The repetition of the movement creates a graphic tension where the subject seems to fade behind the energy of the stroke.
The black ink contrasts strongly with the neutral background. This approach favors the raw trace and the immediacy of the moment. The work is part of a research into the purity and the disappearance of superfluous details.
The work is presented in a sober black frame. The white mat isolates the drawing and highlights the textures of the salvaged paper. The final rendering emphasizes the precision of a assured and minimalist line.
Presentation
The artist, born in 1964 in Lyon, in a family where art occupied a central place, my father being a painter of Italian origin.
My artistic journey began in 1986 at the Beaux-Arts de Lyon, then at the Arts Appliqués de Lyon in 1987, where I was fortunate to be accompanied by the painter Philippe Aubanel. In 1988, I joined the Beaux-Arts de Saint-Étienne, where I deepened my approach with the support of professors such as Philippe Favier and Denis Laget. These years were significant for me: they allowed me to experiment, to doubt, to build, and above all, to connect with what I truly wanted to explore in my life.
I obtained my DNAP in 1991, followed by a CESAP in 1992, and finally my DNSEP in 1993, with Hervé Audouard as my research director. The painter Gérard Traquandi, who was on my jury, was another prominent figure during this period.
Her artistic approach revolves around two main axes: creation in the moment and the exploration of the imprint. In her travels, she collects found materials: cardboard, paper, old invoices to produce series that extend over time, exploring the energy and evolution of the gesture. At the same time, she works on the trace using paper or canvas supports that she deploys in natural landscapes. These prints capture the essence of places through their textures (stones, branches, paths), then are reinterpreted in the studio through color and emotion. Her work, influenced by significant artistic encounters such as Denis Laget, is part of a research around repetition, the disappearance of the subject and purity, where only the essential lines remain.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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