Cyclogramme, 1991
Andreas Müller-Pohle  

Photography : black & white edition · 80 x 60 cm 31.5 x 23.6 inch · Ready to hang

€8,000 8 000 €

One of the last works available by this artist

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Shipped from: Germany

Delivery to: France , € 214

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

80 x 60 cm 31.5 x 23.6 inch Height x Width x Depth

Artwork dimensions including frame

82 x 62 cm 32.3 x 24.4 inch

Sold by

Art gallery

Professional art gallery • Germany

Credentials

Vetted seller since 2015

Discount

This seller offers discount when you purchase multiple artworks.

Description
Cyclograms

Discarded photographs are shredded into strips or confetti. A round vessel filled with developer and lined with photographic paper receives the tiny particles of photographs. As these particles swirl around the vessel, they cast shadows, giving rise to a photogram as Cyclogram. The reuse of the photographic material as the raw material for further images takes place within a recycling process. As in the previous works, Dacapo and Signa, the abstraction of the Cyclograms throws light on the genesis and destruction of photographic processes.
Andreas Müller-Pohle, Cyclogramme
Germany  • 1951

Presentation

Andreas Müller-Pohle is a Berlin-based media artist and publisher. He studied Economics and Communications at the Universities of Hanover and Göttingen and, in 1979, founded European Photography, an independent art magazine for contemporary photography and new media.

His first artistic projects from the late 1970s focused on issues of photographic perception, and later on photo recycling, now also incorporating video. In the mid-1990s, he began exploring the use of digital, genetic and political codes. In his most recent works, he addresses the subject of water with extensive portraits of the Danube River and the megalopolis of Hong Kong. Müller-Pohle’s works have been widely published and exhibited and are included in numerous private and museum collections worldwide.

As a publisher, Müller-Pohle has edited the major works of the media philosopher Vilém Flusser, available today in the ten-volume Edition Flusser and including the seminal Philosophy of Photography, which has been translated into over 20 languages. In 2001, Müller-Pohle was awarded the European Photography Prize of the Reind M. De Vries Foundation.

He is the author of numerous texts on photo theory, among others on “Visualism”, and has been a visiting professor and lecturer at, among others, the Higher Institute of Fine Arts in Antwerp, Belgium, and Hong Kong Design Institute. His most recent project, Hong Kong Waters, was published by Kehrer Verlag and Asia One Books.

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