Arbres du Huelgoat série Bretagne, Circa 2024
Swann  

Painting : Watercolour · 30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch · Ready to hang

€240 240 €
Shipping & delivery

Shipped from: France

Delivery to: France , € 16

Estimated delivery: Less than one week

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the gallery

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

31 x 31 x 2 cm 12.2 x 12.2 x 0.8 inch

Sold by

Credentials

Vetted seller since 2018 • Top Seller

Description

This captivating work depicts a winter scene in Brittany, emphasizing the tranquility of nature. A light blanket of snow covers the ground, contrasted by the bare trees whose trunks provide a delicate texture. The artist uses a subtle palette of whites and browns to capture the essence of a calm, pristine forest. Soft lines and subtle shadows add depth, while the asymmetrical composition subtly draws the eye to a frozen stream in the center. This stream, with its translucent surface, adds a dimension of mystery and invites the viewer to imagine the silent movement beneath the ice. The work is distinguished by its ability to convey the serenity and vastness of a snowy landscape. It effectively conveys a peaceful atmosphere, evoking the silence and raw beauty of winter.

Landscape

Brittany

Forest

brown

Swann, Arbres du Huelgoat série Bretagne

Swann

France

Presentation

I practice calligraphy, watercolor, and, more recently, printmaking. 


Calligraphy: from the Greek "kellos graphos": "beautiful writing." This art (which I learned extensively at the late Comptoir des Ecritures in Paris) consists of laying out "historical" lettering, inventing contemporary ones, or even playing between the two, to enhance the texts. The texts explode, the illustration imposes itself. 


This is where watercolor comes in. A lover of Japanese prints, I am influenced by the Chinese Xieyi painting technique. My favorite theme: nature: water, trees, landscapes, animals, and sometimes a bit of architecture. This is part of an impressionist approach: for me, it's not about representing the reality of countries, lived in, traveled through (or imagined) in a photographic way, but rather suggestively. I am very interested in evoking movement, the breath that animates every being, every thing.

Reviews from our customers

All our reviews are extracted from Verified Reviews

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