Bronze Sculpture for Sale
Painting : aerosol paint, acrylic · 150 x 170 x 3 cm 59.1 x 66.9 x 1.2 inch
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Shipped from: Romania
Delivery to: France , € 276
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic on canvas
Dimensions ( cm • inch )
150 x 170 x 3 cm 59.1 x 66.9 x 1.2 inch Height x Width x Depth
Independent artist
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
At a time when much of contemporary art derives its energy from history, identity, cultural memory, or social commentary, this work directs its attention toward a deeper and less circumstantial territory of human experience. Its point of departure is neither the past nor the events that shape the visible surface of history. Instead, it explores those inner structures of consciousness and spirituality that traverse historical epochs without ever fully belonging to them.
Although the scale of the pictorial space and the density of its material presence may evoke certain concerns associated with Anselm Kiefer, the intention of this work ultimately moves in a different direction. If Kiefer's images often function as territories of memory, myth, and historical sedimentation, here painting becomes a field of possibility. It is not the ruins of the past that are being investigated, but the conditions through which a world may emerge before it has acquired a definitive form.
The painting does not depict a world; it evokes the possibility of one.
Its forms appear suspended within a state of perpetual becoming. Light and darkness are not presented as opposing forces but as elements engaged in a process of mutual generation. Fragile structures, nearly invisible networks, accumulations of matter, and luminous eruptions emerge as fragments of a reality still in the process of constituting itself. Nothing is fully stabilized. Nothing is irrevocably closed. Everything remains open to the possibility of another unfolding.
In this sense, the work functions as an open structure. It offers no predetermined meaning and resists any singular interpretation. An essential part of the artwork continues to come into existence within the consciousness of the viewer. The image activates associations, intuitions, and states of awareness that are not explicitly contained within the painted surface itself, transforming contemplation into an act of participation. The work does not end at the edge of the canvas, nor at the moment of its completion. It continues to exist as potential within each encounter.
This openness, however, is not merely a play of ambiguity. At the core of the painting lies a deeper tension: the relationship between personal identity and that which exists beyond it. The viewer is drawn into a visual field of remarkable intensity, where beauty, mystery, and complexity operate as forces of attraction. The image seduces, yet simultaneously destabilizes. As perception penetrates the layered depths of the composition, the familiar certainties of the self gradually lose their central position.
Within this experience, understanding does not lead toward control but toward release. Not toward the negation of identity, but toward an expansion beyond its boundaries. The work suggests the possibility of encountering a dimension of being that precedes biography, cultural context, and historical belonging. It is a dimension that cannot be known rationally, yet is recognized intuitively, like an ancient memory whose origin cannot be located in time.
*Metaphysical Nocturne in Stardust* proposes something beyond an aesthetic experience. It creates the conditions for a form of remembrance—not of an event, but of a possibility. The possibility that beneath the identities we inhabit and the historical periods we traverse there exists a shared inner space, a source of becoming that continues to manifest itself through different forms across all ages.
Standing before this painting, the viewer is not invited to decipher a message, but to participate in the emergence of a world—and perhaps to recognize within that emergence something essential about their own nature.
Education
1995 - 2000
Gheorghe Asachi TEHCHNICAL UNIVERSITY IASI ROMANIA - Bachelor Degree in Electronics and Telecommunications
2013 - 2016
GEORGE ENESCU UNIVERSITY OF ARTS IASI ROMANIA - Bachelor Degree in Fine Arts
Beyond our power to understand creation are the efforts of artists concerned with exploring the areas of knowledge, with the encounter between the corporeal and the spiritual dimension, the mystery of the universe Ovidiu Kloska is transposed not only in painting, but also in other fields of art with which he experiments excitingly on the border between human and divine, between figurative and abstract.
Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my magic eye.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the nigh, that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images.
/ My visual relates with spirituality, dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. I was born in Romania, Neamt district,in a small town in N E of Romania at 27 of july 1977. In 2000 I graduated the Technical University Gheorghe Asachi from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated master classes at George Enescu Art University from Iasi, Faculty of Fine Arts with the project Urban wear oniric interferences object of art. I Live and create in Focsani, Vrancea district from Romania /
Member of Romanian Union of Professional Artists UAP
Previous events
Event: Personal painting exhibition November 2019 Ovidiu Kloska
Dates: Nov. 20, 2019 - Dec. 19, 2019
Venue: romanArt Gallery Roman Romania, Romania
Exhibition took place at romanArt Gallery in artist home town Roman.
Event: Alone to the invisible touch , April 2015
Dates: April 17, 2015 - May 3, 2015
Venue: "Nicolae Mantu" Art Galleries, Galati Romania
Personal exhibition - Painting - "Nicolae Mantu" Art Galleries , Galati, Romania
Event: "Memory mark"
Dates: Nov. 14, 2009 - Nov. 25, 2009
Venue: Focsani, Vrancea, Romania
The concept event called "memory trace" is focused on portrait of contemporary aesthetics, urban man fell into a sleep of impersonality, of non-name, the spiritual and material constraint, featuring artist direct expressive compositions, even incisive, but bearing traces of that human memory will linger in the universe.
Will be exhibited works in oil on canvas, metal graphic interventions on photography, creations in oil colors relate to wood, metal rusty wire and even nails.
Opening of the exhibition took place on November 14 hours 18. Special guest of this Vrancea cultural initiatives is distinguished writer George Neagu, founder and editor importance of cultural magazine "Literary Mirror".
Event: ESPACE COTOS ART GALLERY SAINT TROPEZ - FRANCE, October 2007 Exhibition
Dates: Oct. 2, 2007 - Oct. 18, 2007
Venue: Espace Cotos Art Gallery, Saint Tropez, France
Personal exhibition in a private Art Gallery owned by reknower french painter Georges Cotos.
Artist presented oil paintings on canvas and graphics on paper
All our reviews are extracted from Verified Reviews
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Painting . 150 x 170 x 3 cm Painting . 59.1 x 66.9 x 1.2 inch
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