Les plaisirs agricoles, 2026
Herve Malcom Thomas  

Painting : oil · 80 x 80 x 5 cm 31.5 x 31.5 x 2 inch · Ready to hang

€2,400 €2,160 2 160 €
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Shipped from: France

Delivery to: France , € 65

Estimated delivery: Five to six weeks

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from the artist

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

80 x 80 x 5 cm 31.5 x 31.5 x 2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021

Discount

This seller offers discount when you purchase multiple artworks.

Description

Space fragments under nervous lines. White lines intertwine and cut the canvas with instinctive precision. The gaze navigates between zones of deep blue and shades of olive green. 
The composition plays on the superposition of layers. Areas of color confront dark scratches. The gesture is fast, almost raw, hinting at controlled tension. 
The background alternates between transparency and opacity. Organic forms emerge from the chaos to suggest an abstract landscape or a deconstructed figure. The balance arises from the contrast between the rigor of the lines and the freedom of the marks. 
The material accumulates in places, creating a subtle relief. This painting explores the boundary between the figurative and pure abstraction. The final rendering stabilizes on a play of chromatic contrasts and fluid lines.

Abstract

Everyday life

Human body

Couple

Women

Lines

Fictional Character

Sky blue

Green

Herve Malcom Thomas, Les plaisirs agricoles
France  • 1962

Presentation

“I have been painting continuously since leaving the Ecole des Beaux-Arts in Metz in 1987.

Not being able to consider my work as a painter as being really “abstract" any more than “figurative", the idea of this oxymoron “Inabstrait ©" allowed me to define more precisely, and without Manichaeism, my painting.

“Inabstrait ©" would therefore consist in evolving freely between these two worlds, without being constrained to anything, or rather by admitting all the ways useful to the realization of a painting which would be resolutely a “drift", in the sense of the freedom of pictorial expression; thus erasing, adding, finally deciding what is good to let appear ".

Reviews from our customers

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