Empyrée, 2016
Dominique Blais   Emerging artists

Painting : · 100 x 100 cm 39.4 x 39.4 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

100 x 100 cm 39.4 x 39.4 inch Height x Width x Depth

Artwork dimensions including frame

101 x 101 cm 39.8 x 39.8 inch

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Credentials

Vetted seller since 2017 • Top Seller

Description
Empyrée, 2016 Specular mosaic panel laminated on aluminum 100 x 100 cm "Empyrée", from a series of four "paintings", is made from reflective plastic mosaic tiles. This mass-produced furnishing material, which can be found in different shades and textures, was chosen here for its iridescent character. Laminated on aluminum, the panel is then framed to form a painting and evoke a painting that plays with natural light. Depending on the time of day, the season and depending on the movement of the viewer, the hue and reflections change, thus revealing the colors of Newton's disc. The title "Empyrée", this space dear to poets, evokes a sky with shimmering lights and contrasts with the triviality of the material which constitutes the work.
Dominique Blais, Empyrée
France  • 1974
76 followers

Presentation

Dominique Blais was born in 1974 in Châteaubriand, France. He lives and works in Paris.

From the very beginning of his artistic practice in the mid-2000s, Dominique Blais has always developed his work in light of contextual logic. Space, temporality and constraint (s) are thus the subjects and / or the objects that the artist invests and questions in order to develop a conceptual and formal response while working with the predominant elements of his approach: the sensitive and physical perception of our environment, the report to the invisible and the inaudible, or, amongst others, the materialization of time.

The question of materials, both physical and evanescent, is substantial in his work. Not limited to a particular eld, he expands his visual vocabulary through the use of a great range of mediums and techniques (drawing, ceramics, photography, installation, sound, video, etc.) that allows him to conceive and elaborate proposals echoing the problems of his research process.

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