Les objets visuels sont des tout, 2018
Remi Delaplace   Emerging artists

Painting : acrylic · 43 x 43 x 2 cm 16.9 x 16.9 x 0.8 inch · Ready to hang

$1,155 1 155 $US
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Shipped from: France

Delivery to: United States , $ 127

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

43 x 43 x 2 cm 16.9 x 16.9 x 0.8 inch Height x Width x Depth

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Independent artist

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Vetted seller since 2018

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Description
Rémi Delaplace addresses the question of space and its perception. He created this diamond shape: representation of the cube in space. From the rectangular frame which speaks of the plan, he thus passes to the representation in space. The 3d form is for him the essence of representation in the digital age.

How can painting and painting respond to the digital age? The elements of the 3d representation are the xyz axes, the triangulation for the mesh as well as the shadow. Remi Delaplace uses them in this table. In this painting, he offers a reflection around representation. Here, we are in the first element of the form which is the cube represented in perspective: the frame makes form.

Abstract

Geometric

Conceptual

Geometric abstraction

Abstract art

Remi Delaplace, Les objets visuels sont des tout
France  • 1972
60 followers

Presentation

Rémi Delaplace was born in 1972. He lives and works in Paris. His education (Master 2 in Contemporary Art and New Media at the Paris 8 University) allows him to address the issue of perception in art as well as the relationship between spectator and work.

The artist builds his practice as a journey. The starting point was his research on the sensitive which took shape in his drawings: they were representations of an abstract vibration. The gesture in the instantaneous movement, the energy - these were a significant part of his research and were happening in time. The drawings became partitions for the vibrations.

The practice of contact improvisation dance? had a strong impact on his work. Rémi Delaplace integrates it into his creative pictorial process. That is where he appropriates the notion of consciousness in space. It becomes a theme in his work, but also a part of the creative process, of the movement and of the gesture of painting.

This is how the artist describes his work:

"In the beginning, my research was directed towards the space of the sensitive: understanding what is going on between the sensitive, the emotion, the feeling, the meaning and the body.

A first axis in my creation has been a research on consciousness and particularly on the concept of finitude, which took shape into pieces entitled "Dead Bodies" and "Still Life".

Another axis integrates the interiority and is entitled "In Out". I have questioned the limits, the boundaries between the self and the other, between inside and outside. I question the body, the senses and the mind.

Feeling the emotion and the consciousness helped me reach a certain expression through the pictorial language, in the moment: the ?here and now?. The expressions of emotions (anger, mourning... ) are accompanied by forms borrowed from signs and signals: mental and feeling are incorporates this way.

I offer the color, the saturation as constituting elements of the painting, expressions of feelinging. The pace and the brushstroke express emotion."

- Rémi Delaplace

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