N° 1169 Rochefort. le musée de la Marine, 2021
Painting : oil · 55 x 46 x 2 cm 21.7 x 18.1 x 0.8 inch
€420
420 €
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Shipped from: France
Delivery to: Spain Free delivery
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
55 x 46 x 2 cm 21.7 x 18.1 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
The end of the visit to this museum is quite a shock because, when we find the open air and the sun of a hitherto ignored interior courtyard, we come up against the monumental replica of the raft of La Méduse erected there. , on the cobblestones. The heart tightens and the colors darken.
This painting, executed by the artist exactly 205 years after the tragedy (it was begun on July 2, 2021) should suggest the vibrations, not only of Géricault's work but also those left by the excellent docu-fiction of Herlé Jouon and Emilie Dumont: The True Story of the Raft of the Medusa (2014).
This painting, executed by the artist exactly 205 years after the tragedy (it was begun on July 2, 2021) should suggest the vibrations, not only of Géricault's work but also those left by the excellent docu-fiction of Herlé Jouon and Emilie Dumont: The True Story of the Raft of the Medusa (2014).
Presentation
"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.
The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.
The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.
The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.
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