The birth of the Universe, 2022
Painting : oil, pastel · 61 x 223.5 x 7.6 cm 24 x 88 x 3 inch · Ready to hang
€6,973
6 973 €
Shipping & delivery
Shipped from: Canada
Delivery to: Italy , € 290
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
61 x 223.5 x 7.6 cm 24 x 88 x 3 inch Height x Width x Depth
Artwork dimensions including frame
66 x 228.6 x 8.9 cm 26 x 90 x 3.5 inch
Sold by
Art gallery
Credentials
Vetted seller since 2020
Discount
This seller offers discount when you purchase multiple artworks.
Description
Our eyes tell us that we live in a 3D world. Time is commonly referred to as the 4th dimension. But is it a real dimension? No. After all, time does not exist without movement. It does not exist by itself, as a separate dimension. Things that we see are subject to change. This indicates the existence of independent forces that make changes, that give rise to movement that we can observe or feel. What are they? They are those additional dimensions, in which we and everything that surrounds us and extends to infinity exist. They are various forms of energy. For decades physicists have been studying the unification of the four fundamental interactions of Nature within the framework of the interaction between energies. Vladimir was involved in it and since mid of 80’s it has become one of the core themes in his oeuvre. This piece is an attempt to visualize energy flows and their interaction that generates new forms of existence. It depicts both creative forces, and the destructive ones. This artwork is a triptych and shipping package includes 3 separate pieces that should be assembled and detailed instructions for assembling.
The artwork sold disassembled (3 parts). Detail assembling instruction is enclosed.
Presentation
Vladimir Kolosov is a Canadian painter born in 1962, renowned for his multidisciplinary approach and distinctive neo-surrealist style. Originally from the USSR, he emigrated to Canada in 2006 and currently resides in Maple Ridge, British Columbia. From a young age, Kolosov was immersed in visual arts and music, developing an artistic sensibility that is reflected in his works. His academic background is extensive, including studies in fine arts, music, mathematics, physics, psychology, and business management, giving him a unique perspective on his artistic practice.
His work is characterized by an exploration of inner and outer worlds, using a variety of mediums such as oil, acrylic, watercolor, and pastels . Kolosov is recognized as a skilled colorist, creating compositions where colors play a central role in expressing emotions, contradictions, and contrasts. His paintings, often imbued with symbolism and metaphors, invite the viewer to reflect deeply on themes such as memory, time, identity, and the human condition.
Notable works include "Melancholic Observations of the Echoes from the Past," "Landscape with Levitating Metaphysical Still Life and Its Shadows," and "Hidden Thoughts Are Leaking Out." These pieces illustrate his ability to merge figurative and abstract elements to create enigmatic and evocative scenes. His style is influenced by artistic movements such as surrealism, metaphysical art, and abstract expressionism.
Kolosov has exhibited his work in various countries, including Canada, the United States, France, Germany, Italy, the United Kingdom, Slovakia, and Switzerland. He has also participated in interdisciplinary projects, such as the VOYZX Exhibition of Contemporary Surrealism in Vancouver in 2019 and 2021, and the international project Colours of My Ice-Dreams in collaboration with Carpigiani Gelato University and the Gelato Museum in Italy.
In addition to his artistic practice, Kolosov is an active art critic and curator. He has published essays on contemporary surrealism in international journals such as VOYZX Art, Surrealismo International (Spain), and Agulha Revista de Cultura (Brazil). His most recent book, “Vladimir Kolosov Through the Looking Glass" (VOYZX Press, 2022), offers an in-depth retrospective of his work.
A member of the AICA/IAAC (International Association of Art Critics) and the Vancouver Queer Art Festival, Kolosov continues to influence the contemporary art scene with his introspective approach and commitment to exploring the complexities of human experience through art.
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