Débordements, 2022
Painting : oil · 120 x 150 x 2 cm 47.2 x 59.1 x 0.8 inch · Ready to hang
€4,000
€3,400
3 400 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 220
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
120 x 150 x 2 cm 47.2 x 59.1 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2018
Description
Diptych: Oil on linen canvas stretched over 2 frames. (120x90 and 120x60 cm) A woman in a semi-abstract environment looks at us. It is surrounded by plants, water and a set of geometric lines evokes constructions. Signed and dated on the back, it will be delivered in sturdy packaging, accompanied by a certificate of authenticity signed by the artist. Marta Grassi is an Uruguayan artist living in France. His work is imbued with the imagery of South America and the magical realism of its literature, populated by imaginary characters. These women, shamans, fairies or witches are strong and powerful and appear to us in a just evoked vegetal environment, moving towards abstraction. They stare at the viewer and seem to challenge him. The viewer is free to wonder about the intention of this gaze directed at him.
Presentation
Marta Grassi is a visual artist born in 1961 in Montevideo, Uruguay. She has lived and worked in Paris for the last 30 years.
Marta Grassi is a inventive artist, who does not limit her practice to a particular style. Her works oscillates between painting and drawing, figuration and abstraction in harmonious and colorful canvases. She plays with the colors and the materials in a real search for experimentation. The interaction with her support is essential in her work, since it is her who guides her brush. In fact, the artist does not try to completely master her gestures: she lets chance interfere, conferring thus great freedom to the medium itself. Her singular and very personal work is poetic and anti-conformist. Coming from her imagination, they incite dreaming. The viewer is seized by this delicate and enigmatic universe, where he is free to interpret what he sees.
Marta Grassi exhibits her work regularly since 2005.
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