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Paradox2, 2021
Nicholas Robertson  

Painting : acrylic · 25.4 x 20.1 x 0.5 cm 10 x 7.9 x 0.2 inch · Ready to hang

$360 360 $US
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Shipped from: United Kingdom

Delivery to: United States , $ 52

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

25.4 x 20.1 x 0.5 cm 10 x 7.9 x 0.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

Discount

This seller offers discount when you purchase multiple artworks.

Description
Continuing the series of paintings with a metal military helmet, in this case, an American WW2 one. I wanted to portray older people in something only worn in earnest by younger people; therein lies the paradox. I have long been interested in the industrial design mantra of 'Form follows Function', ably represented by military helmet design. So many national variants but all with the same purpose: to protect young men and women in war. A Rowney Cryla acrylic base coat of burnt orange over the gesso manufacturer's finish. Opaque pigments are used to lay down some areas, also acting as an undercoating for some subject matter. Subsequent layers of acrylic paint have been applied, laced with Liquidex airbrush medium and deionized water as a wash layer. This thin multiple layering of pigment allows for a degree of luminosity, avoiding the usual flat acrylic finish. Painted on Superior rolled canvas board. Finished with a coat of Winsor & Newton Satin UV varnish; this not only protects the painting but has a unifying effect. Ready to Hang. Signature Location: left lower corner.

Portrait

Helmets

Men

brown

Sky blue

Nicholas Robertson, Paradox2
United States  • 1948

Presentation

Artist Statement:

I suspect like most figurative artists I find drawing and painting the human form wholly embedded with human behaviour. The desire to secure more than a representation of a persons movement, the spilling of light over contours or the various other physical facets is the reason we continue to make paintings. To liberate a recognisable emotion in texture, colour and pattern and to make it still, perhaps this is a measure of a successful painting.

Education:

Hatherley Road Secondary Modern Gloucester
Gloucester College of Art. UK

Awards & Distinctions:

Civic Awards for public Murals and Mosaics.
See YouTube Paintings Playlist:

Exhibitions:

Sussex Gallery, Cheltenham Fine Arts-Triumvirate exhibition. World travelling exhibition, Facopa PR. Ogle Gallery. Contemporary Art Holdings. Atrium Gallery. Brian Sinfield Gallery. Montpellier Galleries. Martins Gallery. Burlington Gallery

Artistic Influences:

So numerous

Reviews from our customers

All our reviews are extracted from Verified Reviews

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