N° 1205. La Rochelle. Cathédrale Saint Louis., 2022
R. Cavalié  

Painting : oil · 46 x 27 x 2 cm 18.1 x 10.6 x 0.8 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

46 x 27 x 2 cm 18.1 x 10.6 x 0.8 inch Height x Width x Depth

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Independent artist

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Vetted seller since 2021

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Description
The cathedral standing very close to the Café de la Paix, the artist presents the stained glass window of the chapel of marine ex-votos. Instead of the medallion of Jesus calming the storm, it offers a Simenon lighting his pipe! The allusion to the slave ship, both the brig represented and the work of the prolific artist justifies this miracle. Note also the deliberately frontal point of view (like the reader facing the characters of the novelist) on the stained glass window, removing from it any effect of domination or crushing.
R. Cavalié, N° 1205. La Rochelle. Cathédrale Saint Louis.

R. Cavalié

France  • 1944
184 followers

Presentation

"Bonpointism" could be her trademark because, born in an unmade bed of teachers in the land of Jaurès, she never stopped creating the images she dreamed of owning as a child.

The work, especially figurative, is aimed at people wishing to live daily with this particular breath in a corner of their living space. As the surface area of homes is shrinking especially in the city, the artist has thus been led to favor medium to small formats. His work, where the significance of an assertive design is concretized, is always carried out in the urgency of a creation that absolutely does not take into account the dictates of fashion or even his personal taste.

The color, the reliability of the line, the enhancement of a light inherent in each subject approached, allow us to recognize an appearance of naive appearance but carrying, perhaps by that very fact, an undeniable finesse in the understanding of our world and its underlying poetry.

The abundance of production and the versatility of the themes show an imaginary in perpetual boiling, nonetheless ordered by a certain rigor which, curiously, turns out not to be devoid of both humor and love.

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