Bronze Sculpture for Sale
Itali 1989, 1989
Painting : gouache · 32 x 24 x 0.1 cm 12.6 x 9.4 x 0 inch
€150
150 €
Shipping & delivery
Shipped from: France
Delivery to: France , € 18
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
32 x 24 x 0.1 cm 12.6 x 9.4 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Jaber El Mahjoub was born in 1938 into a family of shepherds from M'Saken in Tunisia. His childhood turns out to be perilous when his mother dies at the age of six. His sister educates him without financial means to give him access to school and the possibility of learning to read and write. At the dawn of 1958, he decided to move to Marseilles and worked as a baker. Two years later, he took the road to the French capital. Gifted with his hands and his voice, he fashions sculptures and at the same time composes, writes and performs songs until recording two 45 rpm records with Pathé Marconi. A wealthy American is challenged by his work, she takes him to the United States, marries him and propels his career internationally.
Presentation
Jaber El Mahjoub is a Tunisian artist born in 1938 in M'Saken, in a family of shepherds. His childhood is marked by the disappearance of his mother when he is only six years old. His sister accompanies him in his education and allows him, in particular, to learn to read and write. In 1958, he leaves Tunisia to settle in Marseille, where he works as a baker. Two years later, he joins Paris. Talented with his hands and his voice, Jaber El Mahjoub progressively develops a singular artistic practice, while composing, writing, and performing songs. He notably recorded two 45 rpm records at Pathé Marconi.
Self-taught and deeply instinctive, Jaber El Mahjoub develops an artistic universe situated at the border of raw art, naive art, and brut art. His work includes both painting and drawing as well as sculpture. He notably creates works in papier-mâché which he gives shapes inspired by the animal and plant world: birds, fish, or flowers appear in an imaginary world populated by figures, characters, and symbols. His experience as a baker also nourishes his way of working with material: he first shapes his forms with his hands before baking them, in a process that brings the artistic gesture closer to that he used in his trade.
Jaber El Mahjoub's painting is characterized by bright colors, strong black outlines, and great graphic spontaneity. His compositions associate human figures, animals, flowers, and signs in scenes where the real and the imaginary meet. His works on paper and canvas, made notably with gouache and acrylic, attest to a free, instinctive, and immediately recognizable pictorial language. The figures can be distorted, stylized or accompanied by symbolic elements, giving his compositions a dimension that is at once naive, expressive, and poetic.
His artistic journey takes an international dimension when an American collector discovers his work and takes it to the United States. Jaber El Mahjoub develops his career there and exhibits notably in San Francisco, where his universe meets the public interest associated with the "flower-power" culture. Back in Paris, he exhibited in 1977 at the American Center of Artists. His work was then presented in different exhibitions and joined collections of museums dedicated to raw art and outsider art. He also received the first painting prize at the Plainfield Art Festival, among 800 candidates.
Through a deeply personal work, Jaber El Mahjoub transforms his life journey, his experiences, and his imagination into an artistic language free of any academic convention. His paintings, drawings, and sculptures are distinguished by their spontaneity, chromatic richness, and imaginary bestiary. A singular figure of raw art and outsider art, he develops a work in which the apparent simplicity of the line gives way to a rich symbolic universe, populated by characters, animals, and forms from his imagination.
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