Utterance, 2019
Painting : oil, lead mine · 152.4 x 127 x 0.1 cm 60 x 50 x 0 inch
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Shipped from: United States
Delivery to: United States , $ 790
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
152.4 x 127 x 0.1 cm 60 x 50 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
McCagg's work is informed and influenced by formal elements such as line and space, which provide an underlying aesthetic vocabulary for her compositions.
Xanda McCagg is an American abstract artist who lives and works in the Chelsea neighborhood of New York City.
A classically trained painter, she has evolved into a style that abandons figuration in search of evoking the human essence.
McCagg creates her abstract compositions using a mixture of oil, graphite and collage. Although she began her practice as a figurative painter, she has abandoned the figure in search of more intimate portrayals of the human essence. Nonetheless, her work is informed and influenced by formal elements such as line and space, which provide an underlying aesthetic vocabulary for her compositions.
Integral to her process is an exploration of the small and large ways relationships can “shift.” Through the expressive layering of thin and impasto color, and delicate and rough-hewn lines, McCagg works to articulate these often-subtle evolutions. Rather than planning precisely where her composition will lead her, she intuits throughout her process the minimum amount needed to manifest the essence of what she calls “the fine line between perception and imagination of these relationships.”
Presentation
McCagg is inspired by human experiences, particularly by the behaviors that stem from human relationships. Cultural issues such as poverty, government, religion and war, cultural phenomena such as mythology and dichotomies like strenght and weakness are often represented in her pieces.
Having a classic training, McCagg evolved towards a style that abandons figuration to evoke the human essence. She creates her abstract compositions using a combination of oil paint, graphite and collage. Even if she started her career doing figurative paintings, she has given up this field to search for more intimate representations of the human essence. However, her work is influenced by classic elements such as line and space, which provide an aesthetic vocabulary to her compositions. The exploration of the different ways in wihch relationship can change is an integral part of her artistic process. Thanks to the expressive stratification of the impasto, and of delicate and rough lines, McCagg seeks to articulate her often subtle evolutions. Instead of planning precisely where will her compostion lead, she intuitively knows all along the process the minimun necesary to manifest the essence of what she calls "the thin line between perception and imagination of these relationships"
Jaquelyn Tuerk, a professor of art history at the Kean University in New Jersey, said about McCagg's work : "McCagg's images emanate peace, with lyrical, soft and complex ripples of unexpected interations...... the space opens to give the observer the sensation of walking in an alternative world of palimpsest forms where imagination defies perception."
Xanda McCagg has exhibited her work in solo and group exhibitions in the United States as well as in Budapest, Hungary and Paris, France. Xanda McCagg's pieces are part of numerous private collections, as well as of corporate collections such as that of Alliance Capital Management.
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