Saint Gilles de Croix de Vie’s magical dunepath, 2023
Peter de Boer   New & remarkable Artists

Painting : oil, tempera · 150 x 190 x 2 cm 59.1 x 74.8 x 0.8 inch

$6,535 6 535 $US

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Shipped from: Netherlands

Delivery to: United States , $ 302

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

150 x 190 x 2 cm 59.1 x 74.8 x 0.8 inch Height x Width x Depth

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Description

This artwork depicts a serene coastal landscape with a vibrant color palette. A sandy path cuts through lush, overgrown vegetation, leading the viewer's eye towards the expansive ocean beyond. The foreground is rich with blooming wildflowers, creating a sense of depth and inviting exploration. Tall trees flank either side of the path, their branches framing the scene and drawing attention to the horizon where sea meets sky. The water is rendered in layers of blue and green, capturing the shimmering movement of waves. Overhead, the sky transitions from soft lavender to a gentle blue, suggesting either dawn or dusk, adding an ethereal quality to the painting. The harmonious blend of natural elements and colors showcases the artist's skill in conveying tranquility and the beauty of untouched landscapes. This piece captures the viewer's imagination and evokes a sense of peaceful wanderlust.

Peter de Boer, Saint Gilles de Croix de Vie’s magical dunepath

Peter de Boer

Netherlands  • 1979
271 followers

Presentation

Painter Peter de Boer (The Netherlands, 1979) feels strongly connected to the sea. Intense nature experiences such as described and painted in Romanticism are a source of inspiration and starting point for de Boer. On a surfboard in the North Sea, surrounded by nothing but sea and swell, with a view of the horizon or towards the beach and dunes. In it he finds an image of the infinite, the passive contemplation of the eternal, during a temporary moment.

The horizon is a foothold but at the same time is a natural limit that indicates infinity. When the sun disappears behind it, a sense of time and transience arises. Perhaps that is why we often let ourselves be tempted into melancholy when we set our sights on the horizon.

De Boer often shows a path leading to the sea in his seascapes and dune landscapes. The sea as a destination or goal is a metaphor for freedom. Sometimes there are people in the landscapes or seascapes. Surfers, beachcombers and naval heroes; it is those who are attracted to the sea.

His paintings are an aesthetic rendition of freedom and infinity, but at the same time show a sublime threat that frightens us as it transforms from rippling to a savage lure.

When, in those days, travelers pulled blindfolded through the Alps of Italy in order not to see the cruel nature, in nature as we know it the traces of human presence are almost always visible in the landscape. This human presence deems Boer as both reassuring and disturbing.

Reassuring because it indicates that the area is not completely inhospitable, a certain safety is experienced, if one is 'among the people' or sees another ship or cabin, one is not alone. Unification with nature does not seem to be reserved for man. Although nature can evoke aesthetic pleasures, at the same time it turns out to be inhospitable. But in this case, with signs of human presence, the landscape seems tamed and under control.

Disturbing, on the other hand, because the same humanity peoples, depletes, pollutes and even destroys the natural beauty with ever increasing speed. The balance turns out to go completely the wrong way and environmental organizations worldwide raise alarms. Do we still know how to turn the tide in time, do we still gain insight and do we go into action before it is too late?

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