Unique Surfboard, 2021
Painting : aerosol paint, object · 195.6 x 50.8 x 6.4 cm 77 x 20 x 2.5 inch
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Shipped from: United States
Delivery to: United States , $ 750
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , object on board
Dimensions ( cm • inch )
195.6 x 50.8 x 6.4 cm 77 x 20 x 2.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Artist: Kenny Scharf
Title: Unique Surfboard
Size: 195.6 x 50.8 x 6.4 cm. (77 x 20 x 2 1/2 in.)
Medium: Spray Paint on Surf Board
Edition: Unique Original 1 of 12
Year: 2021
Notes: Signed and numbered 'Tim Bessell 1/12 Kenny Scharf' on the reverse.
Kenny Scharf is a legendary American artist who was a pioneer in the iconic 1980s East Village street art scene in New York. Together with artists such as Keith Haring, Andy Warhol and Jean-Michel Basquiat, Scharf helped spearhead the aesthetics of the era, co-authoring arguably the most essential chapter in street art history by positioning it as an equal player on the contemporary art world's main stage. Today, the Californian is widely recognised as one of the most important figures in the 'Lowbrow Pop Surrealism' art movement, which is characterised by abstract imagery merging with dreamy cartoon characters, and is rooted in comics, punk music, and graffiti and street culture.
Like many other children growing up during Pop Art's cultural boom in the 1960s, Scharf was greatly impacted by images of popular and commercial culture that permeated and shaped American collective consciousness. But, unlike other kids, Scharf's interests went beyond clipping out photographs from magazines to stick on his bedroom wall. Instead, he found joy in finding expression on the streets, where, with a spray paint can in hand, he could share his unique, Day-Glo, psychedelic pictures with the public.
In his works, Scharf employs a range of techniques, media and allusions to create hallucinatory compositions bursting with bright colours, bold patterns, and dreamlike metaphors, featuring a host of anthropomorphic creatures, extraterrestrial beings, and comic book motifs.
A UNIQUE STATEMENT AGAINST MARINE POLLUTIONIn 2012, Scharf decided to take his practice one step further by working on a unique partnership with Parley – a group and platform raising awareness about the major threats towards our oceans, which are the most important ecosystem of our planet. As Scharf explained, 'I am obsessed with plastic in our oceans and I jumped at the chance to do anything with other people that are also sharing that obsession.' Parley's Global Cleanup Network has a special focus on protecting the Yucatán Peninsula in Mexico where the group have been active since 2017, and where Scharf himself has spent numerous years.
Scharf created a small group of only twelve individually painted surfboards, with each considered a unique composition that transcends the boundaries of conventional surfboards to become artworks in their right. The legendary surfboard maker Tim Bessell hand shaped each board composed of recycled material, which Scharf then used as his canvas to paint onto with variations of his neon, cartoonish grinning faces, which have been a signature of the artist's work since 1981.
The animated faces on each of these surfboards are replete with emotions ranging from jubilance to wrath, each deeply imbued with the artist's signature aesthetic, and each possessing a unique character that tells a story. Composed of vibrant orange, the present work features a wide-smiling face with sparkling teeth and round green eyes detailed with black line. The imagined creature's expression is one of joy and good humour, which metaphorically contrasts the underlying themes the painting also represents.
As a keen lover of the ocean, Scharf has been collecting plastic pollution from beach shorelines since the 1980s, often incorporating it into his art and art installations. With the present work, Scharf not only highlights the dangers of plastic and other human-made materials on our planet, he also innovatively showcases how art can be used as a means of creating impact and spreading messages about the importance of environmental conservation. As such, the present work is not just a product of Scharf's artistic genius, but is also a testament to Kenny Scharf's artistic and environmental values and his ability to transform something mundane into something extraordinary.
Source: Phillips
Presentation
Kenny Scharf is an American painter who lives in Brooklyn, New York. He received his B.F.A. in 1980 with a major in painting at the School of Visual Arts located in Manhattan, New York City.
Scharf's works consist of painting pop culture icons in a science fiction setting, such as the Flintstones and the Jetsons. He is most well known for his work in the 1980s interdisciplinary art scene.
Kenny Scharf was most known for his work in the East Village, Manhattan art scene of the 1980s, with shows at Fun gallery (1981) and Tony Shafrazi (1984), before seeing his work embraced by museums, such as the Whitney, which selected him for the 1985 Whitney Biennial. It was during this time that he did the cover art for the B-52s' fourth studio album, Bouncing off the Satellites.
Scharf was friends and former roommates with graffiti artist Keith Haring and appears in the documentary "The Universe of Keith Haring". With Keith, Kenny Scharf created the first of his blacklight disco installations called "cosmic closet" in the closet of their Times Square apartment. That project has grown and morphed into its most recent incarnation, "Cosmic Cavern". In 2004, he appeared in The Nomi Song, a documentary about his friend, opera singer Klaus Nomi.
In 2010, Kenny Scharf collaborated with Joe Grillo and Laura Grant of Dearraindrop, an artist collective from Virginia Beach, for a show at The Hole NYC curated by Kathy Grayson. Kenny Scharf has had featured exhibits at the Monterrey Museum of Contemporary Art, Miami Center for the Fine Arts, and the Queens Museum of Art.
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