Closer, 2024
Marie-Ange Daudé  

Painting : assemblage · 100 x 100 x 6 cm 39.4 x 39.4 x 2.4 inch · Ready to hang

$5,155 5 155 $US
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Shipped from: France

Delivery to: United States , $ 515

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 6 cm 39.4 x 39.4 x 2.4 inch Height x Width x Depth

Artwork dimensions including frame

100 x 100 x 6 cm 39.4 x 39.4 x 2.4 inch

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Credentials

Vetted seller since 2016 • Top Seller

Discount

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Description

Unique and original work by MARIE ANGE DAUDÉ, French feather artist.

This captivating portrait features a woman in left profile, her disheveled black hair blending into a misty background, evoking a sense of mystery and introspection. Shades of white and gray dominate, enhanced by touches of deep black that accentuate the contours of her expressive face. The powerful contrast between light and shadow lends a dramatic depth to the work.

The feather technique adds a tactile, almost palpable dimension to the piece. The effect of a blurred reflection in the background reinforces the idea of duality, as if the woman were lost between two worlds. Meditative and enigmatic, this work of art questions the viewer about identity and self-perception.

Portrait

figurative

Women

Feathers

Faces

White

Black

Marie-Ange Daudé, Closer
France  • 1964

Presentation

Marie-Ange Daudé is a French artist born in 1967 who lives and works in Gironde in France.

She studied management and urban planning, she lived among architectes and artists and got interested in the creative process. Her ecological preoccupations can be seen in her work, especially in her first works which she created from waste such as glass, cans and boxes.

She made a collection of 68 hearts, between 2012 and 2013, in which she uses a different technique in each one of them, a sort of love and artistic walk. She then decided to offer a new interpretation of old photographs to which she adds surprising material and elements such as staples and feathers. These broken portraits, glued and reconstructed are a sort of personal interpretation of the passing time.

More recently, she has been creating portraits out of feathers: portraits of women, both strong and delicate and nostalgic. The feathers are suspended on nylon wire, which gives the impression that the portraits are floating over the support. 

Her work has been exhibited in numerous group and solo exhibitions.

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