Routes Secondaires, 2025
Painting : assemblage · 120 x 120 x 5 cm 47.2 x 47.2 x 2 inch · Ready to hang
$7,596
7 596 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 514
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
120 x 120 x 5 cm 47.2 x 47.2 x 2 inch Height x Width x Depth
Artwork dimensions including frame
121 x 121 x 6 cm 47.6 x 47.6 x 2.4 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Unique and original work by MARIE ANGE DAUDÉ in feathers signed and titled by the artist on the back.
This intriguing work depicts a central female figure sitting on the hood of a vintage car, exuding an aura of strength and mystery. She wears a stoic expression, and her relaxed posture contrasts with the background. The shades of black, white, and gray create a dramatic atmosphere, accentuated by the bold use of painterly strokes. A bird perched on the hood adds a symbolic dimension, suggesting a connection between nature and machine. The brushstrokes are expressive, providing rich texture and visual dynamism. This piece captures the essence of a bygone era while evoking timeless themes of freedom and solitude. Its deconstructed and contemporary style makes the work both modern and provocative, captivating the viewer with its visual and emotional impact.
Presentation
Marie-Ange Daudé is a French artist born in 1967 who lives and works in Gironde in France.
She studied management and urban planning, she lived among architectes and artists and got interested in the creative process. Her ecological preoccupations can be seen in her work, especially in her first works which she created from waste such as glass, cans and boxes.
She made a collection of 68 hearts, between 2012 and 2013, in which she uses a different technique in each one of them, a sort of love and artistic walk. She then decided to offer a new interpretation of old photographs to which she adds surprising material and elements such as staples and feathers. These broken portraits, glued and reconstructed are a sort of personal interpretation of the passing time.
More recently, she has been creating portraits out of feathers: portraits of women, both strong and delicate and nostalgic. The feathers are suspended on nylon wire, which gives the impression that the portraits are floating over the support.
Her work has been exhibited in numerous group and solo exhibitions.
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