La rameur, 2024
Painting : acrylic · 100 x 78 x 3 cm 39.4 x 30.7 x 1.2 inch · Ready to hang
€2,498
2 498 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 115
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 78 x 3 cm 39.4 x 30.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017
Discount
This seller offers discount when you purchase multiple artworks.
Description
This daring work represents a shirtless man holding a train. The painting skillfully exploits flattened and contrasting colors, creating a set of geometric shapes that captivate the eye. The palette of colors, dominated by earthy tones mixed with touches of green and blue, gives the scene an impression of strength and serenity. The specific expression of the subject, associated with the dynamic position, illustrates a tension between calm and power. The bottom, a subtle mixture of blue and orange, accentuates the silhouette and adds an intriguing depth. The treatment of shadows and reflections creates an almost abstract dimension, emphasizing the contemporary aspect of the work. This painting is not content to capture a human figure; It also poses a reflection on the balance between nature and humanity.
Presentation
Michel Das, is a French contemporary painter whose current pictorial expression fits into pop art. The sensitivities of Africa and the subtleties of the Far East outname in its very personal style which is very often influenced by its multiple journeys around the world.
In the mid -1980s, at the dawn of his artistic career, Michel Das recognized himself in impressionism; But he quickly evolves towards bad painting because he still considers his ability to draw. Consequently, his work will evolve to combine fauvism, free figuration and
Pop Art. Later, in 2007, the painter turned an additional page and turned to a new style, grabbing the "playmobil" figurines which, he believes, "are the symbols of excessive globalization, physical and intellectual cloning.
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