Fleuve, 2023
Painting : ink, Indian ink, Pigments · 59 x 35 x 0.1 cm 23.2 x 13.8 x 0 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ink , Indian ink , Pigments on paper
Dimensions ( cm • inch )
59 x 35 x 0.1 cm 23.2 x 13.8 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
This abstract artwork uses a palette of deep blues, enhanced with shades of gray and white, evoking a maritime landscape or a celestial storm. The vigorous, fluid brushstrokes create an intense visual dynamic, suggesting movement and depth. The rich, layered texture draws the eye in, each layer gradually revealing new dimensions. The juxtaposition of dark and light tones creates a striking contrast that captures the viewer's attention. This painting embodies a harmonious balance between chaos and serenity, inviting the viewer to an introspective exploration.
Presentation
TanJian-Chung is a Taiwanese artist, graduated from the National Art School of Taiwan, holds a higher diploma from the Strasbourg School of Decorative Art and holds a doctorate in arts from the University of Lorraine But he is also a former student of the great masters of Chinese painting Li Chi-Mao and Su Feng Nan.
In his work, done with Chinese ink or watercolor which he mixes with mineral materials, he combines the traditional expression of Chinese painting with the contributions of Western lyrical abstraction trends to offer works which lead you to meditation .
Because unlike Western painting, Chinese painting is not just a visual representation of what the artist sees or imagines, it is more the expression of a way of thinking, highlighting harmony. between man and the universe, and the dynamism of this relationship.
Drawing on the dual tradition of Chinese painting and Western painting, Tan Jian-Chung seeks to liberate the traditional Chinese brush technique to introduce new forms and a technique even freer than Xieyi Hua , (Writing l 'idea or writing the intention), a free drawing where impressions are expressed, by means of ample lines.
Through his Indian ink paintings, he seeks to convey his vision and his feelings about the harmony that should exist between man and nature.
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