Les Bleus de St Laz GUNN bleu 1992, 2025
Painting : aerosol paint, Posca · 118 x 116 x 5 cm 46.5 x 45.7 x 2 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
aerosol paint , Posca on resin
Dimensions ( cm • inch )
118 x 116 x 5 cm 46.5 x 45.7 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025
Discount
This seller offers discount when you purchase multiple artworks.
Description
Work created by Shuck2 for the exhibition Les Bleus de St-Laz (April 24 to 27, 2025, Espace Thorigny, 75003 Paris).
This work is a unique reproduction of a graffiti made on this mythical model of Saint Lazare. The resin plates, entirely handcrafted in an artisanal manner, represent an exact reproduction at scale 1 of the original SNCF Z6400 model from a cast of the original train. Each plate is approximately 118cm high and approximately 58cm wide, and is made with acrylic resin applied in 3 fiber layers for optimal resistance.
This modern art piece stands out for its bold approach using graffiti as a means of artistic expression. The wavy patterns present on the initial texture of the train lend a unique dimension, encouraging the viewer to examine the composition from various points of view. This combination of urban elements and abstract processes depicts the convergence between the worlds of street art and the gallery, capturing the intensity and dynamism of contemporary urban art. This work attracts the viewer with its dynamism and aesthetic boldness, captivating from the first impression.
Presentation
If the freight stays his favorite playground and he is recognized to be an exceptional performer, Shuck2 favors today a more personal work related to painting.
His art lies in his capacity to deconstruct the letters, a practice based on his capacity to give letters a new and hard-hitting dimension all the while preserving the harmony and the balance of the final rendering.
Recognized to be a precursor of the graffiti in Arabic (his first sketches were made in 1995), he explores today the new possibilities of this alphabet. The signs, a material that can be deformed to the artist's whim, to the point of drawing a picture from them, allow him to give his work a singular dimension. This exercise in modern calligraphy goes off the beaten track and offers him a perspective for evolution explored during his various journeys in the Middle East.
If he considers that it is necessary to give the artist the freedom to move forward, he recognizes very gladly that paradoxically, working within the limits of a commission allows him to evolve by working to fit other people's opinions.
Thanks to his twenty-year experience, Shuck2 has found today the balance between his subversive urban creations and his in-depth study and of lettering.
His art lies in his capacity to deconstruct the letters, a practice based on his capacity to give letters a new and hard-hitting dimension all the while preserving the harmony and the balance of the final rendering.
Recognized to be a precursor of the graffiti in Arabic (his first sketches were made in 1995), he explores today the new possibilities of this alphabet. The signs, a material that can be deformed to the artist's whim, to the point of drawing a picture from them, allow him to give his work a singular dimension. This exercise in modern calligraphy goes off the beaten track and offers him a perspective for evolution explored during his various journeys in the Middle East.
If he considers that it is necessary to give the artist the freedom to move forward, he recognizes very gladly that paradoxically, working within the limits of a commission allows him to evolve by working to fit other people's opinions.
Thanks to his twenty-year experience, Shuck2 has found today the balance between his subversive urban creations and his in-depth study and of lettering.
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