2107 and 2105, Diptych, 2021
Painting : acrylic · 135 x 360 x 0.3 cm 53.1 x 141.7 x 0.1 inch
€14,856
14 856 €
Shipping & delivery
Shipped from: Mexico
Delivery to: Germany , € 418
Estimated delivery: One month and a half
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
135 x 360 x 0.3 cm 53.1 x 141.7 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
The process of creating a painting leaves behind a series of elements that become the starting point for a new piece. A mark, a line, color and shape become elements of a new painting as well as subject matter. Making the viewer aware of both time and process in painting. This is a self-referential series that, at the same time, keeps in mind the history of abstract art.
Alejandra Quintanilla's artistic work presents an explosive variety of abstract shapes and striking colors, which dynamically intertwine on canvas and paper. The organic shapes suggest movement, as if caught in an eternal dance, evoking the chaos and beauty of a wild garden or an abstract landscape. His works stand out for their energetic composition, where each color and shape competes for attention but is part of an integrated whole. The artist's mastery of combining sharp edges with softer transitions invites the viewer to explore the depths and layers of the piece.
Overall Image size: 135 cm H x 360 cm W. Overall Canvas size: 150 cm H x 390 cm W. Individual size: Image size: 135 cm H x 180 cm W. Canvas size: 150 cm H x 195 cm W
Estimated production time: 6 to 8 weeks
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This vibrant diptych captivates with its dynamic interplay of abstract forms and bold colors. Each panel bursts with energy, showcasing a kaleidoscope of hues—fiery reds, lush greens, and deep blues—skillfully arranged to evoke movement and emotion. The composition is a harmonious blend of organic shapes and sharp contrasts, drawing the viewer's eye across the canvas with deliberate flow. Negative space is expertly manipulated to balance the vivid elements, creating a sense of depth and rhythm. The artwork's spontaneity and precision intertwine, offering a fresh perspective from every angle. Its abstract nature invites open interpretation, engaging the spectator's imagination in exploring themes of chaos and harmony. This piece is a testament to the captivating power of abstract expressionism, leaving a lasting impression through its striking visual narrative and innovative composition.
Presentation
Alejandra Quintanilla studied and received a degree in Arts at the University of Monterrey UDEM.
This new series is born from a search to leave aside the narrative figurative and reduce the image to shape and colour.
The series starts with both images found as well as her own images, previous pieces, from her palette, from drawings, in a self-referential way.
The process of creating a painting leaves a series of created elements and randomly they become the starting point for the next piece. It is a process of adding and removing; always keeping in mind the history of abstract art.
A drawing is a brand, which becomes a picture and leaves remains that become the beginning again. This creates a reflection on time and importance of the process in painting.
She also attended a residency program at the Cooper Union School of Art in New York.
Her work has been exposed to individuals and collections in museums in Mexico, the United States, Bolivia and Brazil. She was a selected artist at the Monterrey Arts Center at the 16th General Assembly at the Center Roberto Garza Sada. And from a collectivist group, she exhibited at the Marco Museum (Mty), Rufino Tamayo Museum (Mexico, DF), Palazzo Delle Papesse (Siena, Italy), Arts Center (Mty), Museo del Chopo (Mexico, DF).
Her work was selected in XIV Bienal de Pintura Rufino Tamayo, ARTEMERGENTE Bienal Monterrey, Third and Monterrey, to name a few and her work was exhibited in fairs as well as in Maco in the Arco de Madrid.
Her work was in the collection of the Museum of Fine Art, Houston and the Museum of Latin American Art, California.
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