Sans titre, Circa 2015
Lorna Brown Napanangka  

Painting : acrylic · 95 x 65.5 x 2.5 cm 37.4 x 25.8 x 1 inch

€2,400 2 400 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 50

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Technique & Support

acrylic on Linen

Dimensions ( cminch )

95 x 65.5 x 2.5 cm 37.4 x 25.8 x 1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2016

Description

This artwork, a remarkable example of Australian Aboriginal art, features a complex network of geometric and organic patterns. The white lines, meticulously drawn against a black background, form squares and rectangles, each filled with spirals and undulating lines. These repeating patterns evoke natural landscapes and traditional narratives, characteristic of Aboriginal art. The fascinating balance between symmetry and asymmetry captures the viewer's attention, inviting the viewer to explore each section in detail. The subtle variations in pattern and texture create a hypnotic visual dynamic. The raised lines appear to pulse, adding an intriguing depth to the flat surface. This work is distinguished by its evocative power and its ability to transport the viewer to a world rich in symbolism and cultural history.

Aboriginal art

Abstract art

White

Black

Lorna Brown Napanangka, Sans titre
Australia  • 1962

Presentation

This artist was born in Haasts Bluff around 1962. Her mother worked in Papunya while she was still a child and she went to school with a certain Geoffrey Bardon as a teacher… the same one who would be at the origin of the Aboriginal art movement in the Central Desert in 1971. Her aunt is the famous artist Pansy Napangardi, one of the first female artists, and her husband Bobby West Tjupurrula, a painter who has gained prominence in recent years. She has been painting since the end of the 1990s. Her very rich, very complex style, for an artist living in Kiwirrkurra, contrasts with the production of other artists of the Western Desert. Success quickly followed with two solo exhibitions organized by a prestigious gallery.

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