Collection Les Bleus de St Laz Fantome Ndek, 2025
Painting : aerosol paint · 118 x 58 x 5 cm 46.5 x 22.8 x 2 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 125
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
118 x 58 x 5 cm 46.5 x 22.8 x 2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025
Discount
This seller offers discount when you purchase multiple artworks.
Description
Work created by Ndek for the exhibition Les Bleus de St-Laz (April 24 to 27, 2025, Espace Thorigny, 75003 Paris).
This work is a unique reproduction of a graffiti made on this mythical model of Saint Lazare (the photo and the text of the original graffiti are delivered with the work). The resin plates, entirely handmade in an artisanal way, represent an exact reproduction at scale 1 of the original SNCF Z6400 model from a casting of the original train. Each plate has a height of approximately 118cm and a width of approximately 58cm, is made with acrylic resin applied in 3 fiber layers for optimal resistance.
This modern art piece stands out for its bold approach using graffiti as a means of artistic expression. The wavy patterns present on the initial texture of the train lend a unique dimension, encouraging the viewer to examine the composition from various points of view. This combination of urban elements and abstract processes depicts the convergence between the worlds of street art and the gallery, capturing the intensity and dynamism of contemporary urban art. This work attracts the viewer with its dynamism and aesthetic boldness, captivating from the first impression.
Presentation
NDEK began graffiti in 1991 in the Paris region. His preferred mediums are mobile, those that can appear at any moment and surprise the viewer. He paints his revolt against a world that leaves little room for utopia, hardship, but also joy. NDEK is more of a Doctor Jekyll type with a good dozen identities and liabilities, using painting as a stimulating potion.
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