Bayou Madewood (La Fouche), 2025
Painting : oil, wood, canvas · 55.8 x 71.2 x 2 cm 22 x 28 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 366
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
Secure payment • Card, Amex, PayPal...
- Credit cards (Visa, MasterCard)
- American Express
- PayPal
- Bank transfer
- Gift card
- Apple Pay / Google Pay
All payments are secured with 3D Secure validation to protect your confidential information.
Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
55.8 x 71.2 x 2 cm 22 x 28 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
68.1 x 72.5 x 2.1 cm 26.8 x 28.5 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This striking work captures the serene beauty of a forest landscape at dusk. The warm, vibrant colors, dominated by deep oranges and blues, create a peaceful and contemplative atmosphere. The trees, painted with textured brushstrokes, seem to blend seamlessly into the blazing sky. The water's surface, carefully rendered with shimmering reflections, adds a hypnotic dimension to the scene. The artist masters the balance between abstraction and realism, encouraging the viewer to explore the subtle nuances of light and texture. This canvas invites an inner journey, evoking a deep connection with nature. The dynamic composition and bold palette demonstrate the artist's undeniable talent, transforming an ordinary scene into an extraordinary visual experience.
Presentation
Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct Neo-Expressionist style. He is best known for his series of rabbits, butterflies, and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic houses. Slonem's works can be found in the permanent collections of 250 museums worldwide, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York, the Whitney, the Miro Foundation, and the New Orleans Museum of Art.
Since his first solo exhibition at the Fischbach Gallery in 1977, Slonem's work has been shown hundreds of times worldwide, most recently at the Museum of Modern Art in Moscow and the State Russian Museum in St. Petersburg. In 2017 and 2018, he will be featured at the National Museum of the Republic of Kazakhstan, the National Gallery of Bulgaria, and countless galleries in the United States, Germany, and Dubai.
His flair and admiration for far-flung destinations have been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father's position as a naval officer meant the family moved frequently during Hunt's formative years, including extended stays in Hawaii, California, and Connecticut. He would continue to seek out travel opportunities throughout his younger years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style.
After graduating from Tulane University in New Orleans with a degree in painting and art history, Slonem spent several years in the early 1970s in Manhattan. It wasn't until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began to be exhibited in New York City, boosting his reputation and propelling him into the city's explosive contemporary art scene. He has received several prestigious grants, including from Montreal's Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation's Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years.
As Slonem refined his aesthetic, his work began to appear in unique contextual spaces. In 1995, he completed a massive six-foot-by-86-foot bird mural spanning the walls of the Bryant Park Grill restaurant in New York City. His charitable work has led to dozens of partnerships, including a wallpaper of his famous rabbits designed specifically with Lee Jofa for the Ronald McDonald House on Long Island.
Slonem continues to draw extensive inspiration from history, forging palpable connections to the past through his art. His popular portraits of Abraham Lincoln reframe the historical figure as a pop art icon, and he is currently working on a nine-foot-tall bronze sculpture of French explorer Robert De La Salle, which will be publicly exhibited in Louisiana.
Yet Slonem's most ambitious project has been his mission to save America's often-forgotten historic buildings. Realizing that too many of the country's architectural gems have fallen into disrepair, Slonem found himself drawn to these national landmarks, inspired by their timeless depth and bygone beauty. His accomplishments include the restorations of Cordt's Mansion in Kingston, New York; Louisiana plantations on the lakefront and in Albania; and the Scranton Armory and Charles Sumner Woolworth's mansion in Scranton, Pennsylvania. His sixth and most recent endeavor is Belle Terre, a legendary estate in South Kortright, New York.
Numerous books and monographs have chronicled Slonem's art, including Bunnies (Glitterari Inc., 2014), Birds (Glitterati Inc., 2017), and Hunt Slonem: An Art Rich and Strange (Harry N. Abrams, 2002). His studios and homes have been profiled in books such as When Art Meets Design (Assouline Publishing, 2014) and Pleasure Palaces: The Art and Homes of Hunt Slonem (powerHouse Books, 2007), among others. His latest is Gatekeeper: World of Folly (Assouline, 2018), featuring his reclamation of the Scranton Armory and his transition "from guns to art."
Reviews from our customers
All our reviews are extracted from Verified Reviews
You may also like
Hunt Slonem
Painting . 54.6 x 43.2 cm Painting . 21.5 x 17 inch
CHF 15,405
Dominique Arzoumanian (Darzou)
Painting . 92 x 73 x 2 cm Painting . 36.2 x 28.7 x 0.8 inch
CHF 1,131
Hunt Slonem
Painting . 55.625 x 75.625 x 142.5 cm Painting . 21.9 x 29.8 x 56.1 inch
CHF 8,165
Hunt Slonem
Painting . 102 x 76 x 4 cm Painting . 40.2 x 29.9 x 1.6 inch
CHF 25,225
Hunt Slonem
Painting . 25.4 x 20.3 x 0.3 cm Painting . 10 x 8 x 0.1 inch
CHF 7,520
Hunt Slonem
Print . 48.3 x 49.5 cm Print . 19 x 19.5 inch
CHF 645
Hunt Slonem
Print . 71.1 x 66 cm Print . 28 x 26 inch
CHF 645
Hunt Slonem
Painting . 76.2 x 101.6 x 2 cm Painting . 30 x 40 x 0.8 inch
CHF 25,803
Alex Senchenko
Painting . 120 x 100 x 4 cm Painting . 47.2 x 39.4 x 1.6 inch
CHF 1,954
Alex Senchenko
Painting . 100 x 150 x 4 cm Painting . 39.4 x 59.1 x 1.6 inch
CHF 2,184
Alex Senchenko
Painting . 150 x 100 x 1.5 cm Painting . 59.1 x 39.4 x 0.6 inch
CHF 2,184
Alex Senchenko
Painting . 100 x 120 x 4 cm Painting . 39.4 x 47.2 x 1.6 inch
CHF 1,954
Alex Senchenko
Painting . 140 x 200 x 0.1 cm Painting . 55.1 x 78.7 x 0 inch
CHF 2,529
Alex Senchenko
Painting . 140 x 200 x 0.1 cm Painting . 55.1 x 78.7 x 0 inch
CHF 2,529
Olivier Biarez
Painting . 160 x 190 x 3 cm Painting . 63 x 74.8 x 1.2 inch
CHF 3,851