Sans titre n°1702, 2024
Painting : acrylic · 214.5 x 202.5 x 4 cm 84.4 x 79.7 x 1.6 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 390
Estimated delivery: Five to six weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
214.5 x 202.5 x 4 cm 84.4 x 79.7 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This painting by Laurence Granger perfectly illustrates her approach to "inhabited abstraction." The vivid colors—luminous yellows, vibrant pinks, diffuse greens and blues—intertwine in a spontaneous pictorial gesture, without any preparatory drawing. The material seems alive, in constant movement, oscillating between raw energy and subtle balances. In this work, color becomes light, gesture becomes rhythm, and the whole creates a sensitive vibration that goes beyond figuration.
The work is signed and dated on the back.
Presentation
Laurence Granger, born in 1951 in Neuilly-sur-Seine, lives and works in Pontpoint (Oise). Since the early 1980s, she has been exploring an inhabited abstraction, where pictorial gesture, color, and light become the vectors of a free, vibrant, and profoundly sensitive language. Her work, nourished by abstract expressionism and lyrical abstraction, unfolds without preparatory drawing, in an immediate relationship with matter. Far from any formalism, her oeuvre oscillates between control and release, raw energy and subtle balance. It is within this tension, between duality and unity, movement and silence, construction and spontaneity, that the artist asserts her freedom. A freedom conquered through format, series, and the instant of making, inviting the viewer to enter a true “state of sensation,” to feel rather than to understand.
Over the decades, her work has been recognized and exhibited in institutions and art centers, mainly at the regional level, with public support such as that of the FRAC and the DRAC Picardie.
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