Black Pot, 2025
Painting : acrylic · 28 x 28 x 2 cm 11 x 11 x 0.8 inch · Ready to hang
$813
813 $US
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 88
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
28 x 28 x 2 cm 11 x 11 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
29 x 29 x 3 cm 11.4 x 11.4 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
This artwork is a striking example of abstract expressionism, characterized by its textured, impasto technique that engages the viewer through both its visual and tactile qualities. The canvas is dominated by a muted palette of soft grays, whites, and ochres, creating a sense of calm and introspection. Central to the composition are two vessel-like shapes: a prominent white form with a golden interior, and a smaller black form, each suggesting a dialogue between emptiness and containment. The upper section presents a series of rectangles in contrasting shades, lined with vertical black strokes, adding depth and movement. The artist's use of geometric balance and asymmetry conveys a sense of harmony and tension simultaneously. This piece stands out for its minimalist approach and profound ability to evoke contemplation on form and space. It's an evocative blend of simplicity and complexity, offering an open-ended narrative to its audience.
Presentation
Born in Persia Gohar Goddard was educated in France and the foothills of the Himalayas. She came to England in her teens, working for a variety of organisations including the British Council, Jaeger and the NHS. In mid career, she set up Ziggurat, an elegant shop in Kensington, specialising in luxury yarns, followed by the creation of her own design label, English Weather, specialising in cashmere knitwear and silk and cashmere scarves. Attracted to the ceramics of Lucie Roe, she then trained as a potter. Over the last twenty years she has devoted most of her time to painting and drawing, finding inspiration in the work of William Scott, Roger Hilton, Tapies and Basquiat.
‘I am first and foremost a colourist. When I start painting, I begin by mixing colour, trying out new combinations of tints. I apply layer upon layer of these experimental pigments to the canvas, building up texture that appeals…’
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