Plutôt un ciel sans dieux que sans nuages..., 2025
Nadine Pillon  

Painting : oil, canvas, Knife Painting · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang

$3,267 3 267 $US

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Shipped from: France

Delivery to: United States , $ 323

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2024

Discount

This seller offers discount when you purchase multiple artworks.

Description

This captivating artwork depicts a cloud floating in a mysterious, dreamlike sky. Shades of blue, purple, and pink blend harmoniously, creating an atmosphere that is both serene and dynamic. The artist uses bold brushstrokes to bring the cloud to life, making it seem almost palpable in its vaporous texture. The contrast between light and dark hues gives a striking depth to the composition, evoking an imminent change in the weather. The subtle play of light and shadow demonstrates a remarkable mastery of the painted medium. This work invites the viewer to contemplate the fleeting beauty of nature, while evoking feelings of dreaminess and infinity. A piece that reveals the power of imagination, encouraging introspective reflection.

Landscape

figurative

Sky

Clouds

Navy blue

Sky blue

Nadine Pillon, Plutôt un ciel sans dieux que sans nuages...

Nadine Pillon

France  • 1962
82 followers

Presentation

Nadine Pillon is a French painter whose work explores water, transparency, reflections, and light. Using oil and palette knife on linen canvas, she develops a painting situated between abstraction and figuration, where matter and gesture transform the perception of the landscape and the vegetal world.

Water is at the heart of her research. She observes the plays of transparency, the reflections, the depths, and the vibrations of light.

Her works do not seek to faithfully reproduce a landscape. Rather, they retain a sensation of it: a particular light, a movement, an apparition, a reflection. Shapes are suggested, fragment and overlap, leaving the viewer the possibility to continue the image.

Her oil painting, worked with a palette knife on linen canvas, is based on a dialogue between matter and light. The constructed gesture reveals and sometimes erases forms.

The canvas becomes a space of perception where the real remains present without being entirely defined. Water, the vegetal, and light meet in compositions where abstraction progressively arises from the observation of the natural world.

The pictorial material occupies an essential place in her work. The layers, traces, and superpositions create depths and vibrations that give the painted surface a sensation of movement.

Through this research, Nadine Pillon proposes a contemplative and sensitive painting. Her works invite slowing down the gaze, entering the depths of the image, and perceiving what is found between apparition and effacement.

Water thus becomes much more than a subject: a pictorial territory where light, transparency, matter, and memory meet.

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