Diluer les arbres (Exposé à Art Capital 2026) - Reflets aquatiques à l'huile au couteau, 2025
Painting : oil, canvas, Knife Painting · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 120
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , canvas , Knife Painting on canvas
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Discount
This seller offers discount when you purchase multiple artworks.
Description
Selected for the 2026 edition of Art Capital in Paris, this canvas by Nadine Pillon is a sensory immersion into the heart of nature and its reflections.
In this large 100 x 100 cm format, the artist explores the dissolution of forms: the verticality of the trees is lost and reinvented in the fluidity of the waves. A dialogue between the tangible world and its ephemeral trace on the surface of the water.
Key points for the collector:
Prestigious history: Official selection Art Capital 2026 (Grand Palais).
Signature technique: Rich work on the material, mixing deep purples and bluish highlights.
Visual presence: Square format offering an architectural strength ideal for a modern interior.
Technical details:
Support: High-quality stretched canvas.
Finish: Painted edges, ready to hang (frame not required).
Authenticity: Signed front and back. Comes with its Certificate of Authenticity mentioning the exhibition at the Grand Palais.
Presentation
Nadine Pillon is a French painter whose work explores water, transparency, reflections, and light. Using oil and palette knife on linen canvas, she develops a painting situated between abstraction and figuration, where matter and gesture transform the perception of the landscape and the vegetal world.
Water is at the heart of her research. She observes the plays of transparency, the reflections, the depths, and the vibrations of light.
Her works do not seek to faithfully reproduce a landscape. Rather, they retain a sensation of it: a particular light, a movement, an apparition, a reflection. Shapes are suggested, fragment and overlap, leaving the viewer the possibility to continue the image.
Her oil painting, worked with a palette knife on linen canvas, is based on a dialogue between matter and light. The constructed gesture reveals and sometimes erases forms.
The canvas becomes a space of perception where the real remains present without being entirely defined. Water, the vegetal, and light meet in compositions where abstraction progressively arises from the observation of the natural world.
The pictorial material occupies an essential place in her work. The layers, traces, and superpositions create depths and vibrations that give the painted surface a sensation of movement.
Through this research, Nadine Pillon proposes a contemplative and sensitive painting. Her works invite slowing down the gaze, entering the depths of the image, and perceiving what is found between apparition and effacement.
Water thus becomes much more than a subject: a pictorial territory where light, transparency, matter, and memory meet.
Reviews from our customers
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