Morning Serenity, 2025
Painting : acrylic, mixed media · 90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch · Ready to hang
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Shipped from: Germany
Delivery to: United States , $ 168
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness."
— Eckhart Tolle
Dimensions: 90 × 90 × 2 cm /35,4x35x4x0,8 in
Romantic Moment I features a circular composition of delicate blossoms in shades of white, pink, and red, unfolding against a soft, atmospheric blue background. The leaves, painted in a vibrant spectrum of green tones, create a flowing rhythm that guides the viewer's gaze across the canvas. The palette knife technique adds sculptural texture and dimensionality to the petals and foliage.
The subtly blended backdrop evokes a sense of serene light and open sky, adding a quiet depth to the piece. The floral elements appear to drift weightlessly, suggesting a fleeting moment in nature – tranquil, tender, and ephemeral.
Presentation
Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.
Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.
Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.
Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.
Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.
Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.
Reviews from our customers
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