Jardin de roses au mur 2 ou Yokaï, 2020
Painting : oil, acrylic, plaster · 73 x 54 x 3 cm 28.7 x 21.3 x 1.2 inch · Ready to hang
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Shipped from: France
Delivery to: Spain , € 94
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
73 x 54 x 3 cm 28.7 x 21.3 x 1.2 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2025
Description
I took photographs of a garden of creeping roses. I composed two of these photographs, of equal dimensions, pasted in layers: the result is a horizontal line in the middle of the pictorial plane, which is traditionally, even graphically, considered forbidden.
I painted using this composition as a reference, printed on paper, placed next to my easel. A large rose is at the bottom, a small one, almost a bud, at the top of the canvas. The superimposition of layers of color and plaster creates relief materials. Increasingly rich, they give the specific character to my very personal technique.
Suddenly, I wanted to add a flat color that had nothing to do with reality, or even the opposite. Black, rare in my palette, gives a view of the night, a mysterious atmosphere and a Japanese connotation that inspired me; I then imagined the world of chimerical spirits, the yokai, as they are called in Japan. A bit like Japanese prints, a bit like manga: a Japanese mysticism appeared. I added the word "Yokai" to the title of this painting, and thus I completed my work.
Presentation
Trained in textile art and design in Tokyo and Helsinki, then in sculpture at the École Nationale Supérieure des Beaux-Arts in Paris, Nao Kaneko quickly uses plaster in her creations. Plaster gives her great freedom and allows her to free herself from the technical constraints of weaving that she practiced in Japan.
Winner of the Paul-Louis Weiller competition at the Academy of Fine Arts, her first personal exhibition of sculptures in Tokyo in 1990 made her plaster work known in Japan.
Since 1995, Nao Kaneko, to give more expression to the material, adds plaster to his painting and thus gives it a sculptural touch.
“Water, blue" is the title of several exhibitions by the artist from 2000 to 2003 at the Galerie Anne Paulin in Nîmes, at the Galerie Futura in Paris and during the water symposium in Cannes. Several exhibitions in France and other European countries, in the Americas, in Asia and in Japan punctuate the career of the artist.
Her unique use of plaster in painting was rewarded in 2004, at the Salon du Blanc in Tokyo, where she won the Honor Prize. In 2014, she exhibited at the Clemenceau Museum in Paris where she is expected again in 2016 alongside her exhibition as part of the Normandy Impressionist Festival, "Monet Clemenceau, l'Horizon Infini, peinture de Nao Kaneko" in Rouen.
Committed since its beginnings to the idea of preserving the planet, its favorite themes, water, air, the elements are now finding a powerful echo in our societies.
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