Clin d'oeil à Millon (Bandes Dessinées), Circa 2020
Painting : acrylic, collage · 81 x 100 x 3 cm 31.9 x 39.4 x 1.2 inch · Ready to hang
€2,200
2 200 €
Shipping & delivery
Shipped from: France
Delivery to: Italy , € 120
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
81 x 100 x 3 cm 31.9 x 39.4 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018
Description
This work juxtaposes vibrant abstraction amidst black and white comic strips. The center of the work is dominated by touches of fiery red, deep blue, and crisp white, forming a surge of dynamic color. This contrasts sharply with the monochrome background of comic strip vignettes, creating a real visual tension. The painting's abstract expressionism suggests emotional freedom and vitality, while the structured context of the comic strips adds an intriguing narrative dimension. This duality between abstract and narrative creates a visual experience that invites the viewer to explore the interactions between colorful chaos and graphic order. The skillful assembly of these heterogeneous elements makes this work both bold and deeply thought-provoking.
Presentation
Lucien Vignolle, born in Roubaix in 1934, lives and works in Croix (59).
An advertising designer by profession (trained in advertising at the Beaux-Arts in Roubaix), he created a department for the manufacture of polyester advertising panels in a local company. In 1986, he founded his own company, designing and manufacturing POS materials, which he sold in 1996.
Free from any constraints, he then devoted himself to artistic creation (watercolor, painting, drawing, live model). After several years of figurative painting, he moved on to abstraction, adept at Action painting, favoring materials, collages and including original calligraphy, documents from the past, brought back from numerous trips around the world. This subtle assembly is worked in constant opposition to a resolutely modern painting.
A great admirer of César and Arman, he also creates compressions and accumulations in plexiglass.
Has participated in numerous individual and group exhibitions in the region and in Paris.
Vice-President of the Society of Roubaix Artists since 2003.
Promoted to Knight of the National Order of Merit in 1982.
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