At the edge of the forest - birch trees, 2016
Karl-Karol Chrobok  

Painting : oil · 30 x 24 x 2.2 cm 11.8 x 9.4 x 0.9 inch · Ready to hang

$408 408 $US
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Shipped from: Germany

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 24 x 2.2 cm 11.8 x 9.4 x 0.9 inch Height x Width x Depth

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Description

This striking painting depicts an autumnal forest with dominant, towering birch trees, their white trunks emerging sharply from the dark brown and purple background. The use of texture and impasto application of paint lends the image a vibrant depth, while the fine brushstrokes suggest the details of the trees. The ground, in warm ochre and red tones, creates a contrast with the cool colors of the tree trunks, thus enhancing the impact of the natural theme. This harmonious composition conveys a calm yet powerful atmosphere, drawing the viewer into the quiet mysticism of the forest. The artist's technique of abstracting natural elements while capturing them in detail lends the work a timeless and captivating quality. This artwork demonstrates great mastery and sensitivity towards nature and its changing moods.

Karl-Karol Chrobok, At the edge of the forest - birch trees
Germany  • 1960

Presentation

Member of several artist associations in Germany; independent artist since 1985. 

Born 1960 in Tychy, Poland
1988 emigration to the Federal Republlc of Germany
State Lyceum of Art in Bielsko-Biala and Krakow, 1975–1980 Academy of Fine Arts in Krakow, painting and
graphics Master graduate of Arts 1980–1985 

One-year scholarship by the Ministry of Culture of Warsaw, awarded at the Alexander Rak competition for
graphics, Katowice, 1986 first prize for fine arts rewarded during the “Kulturpreis-Ausstellung” (Culture Award
Exhibition) of Göttingen county, 1990 Award “Syrlin-Kunstpreis”(Syrlin Art Prize) competition for painting,
Stuttgart, participation in the exhibition of the 25 winning works, 1992 first prize rewarded by Kunstverein
Höchstadt-Aisch e.V., 1997 Participation at the international plenair “Waldinspirationen 3”, Goluchow/Poland,
2013
Regular exhibition activities in Germany and abroad with more than 100 solo exhibitions and participations in
group exhibitions 

Fear of color is to fear the world. I work rapidly, in oil, without a photo template, gladly directly out in the open as
well as in the studio. Layer by layer, old is painted over, erased in wide areas, parts leftat the edges.
I understand this approach as a re-enactment of growth and sometimes destruction. Painting is a struggle
with time, with productive time at the end of which color stands as a compound on my paintings.
Chrobok paints his work directly outside In the nature, regardless of weather conditions. 

Whether storm, snow
or sun – he is not a pure fair-weather painter – all weather conditions appeal to him and inspire him to capture
his impressions on canvas. In short time the movement of the trees in the wind, the whipping of the branches in
the stormor theplayof light and shadoware skillfully brought onto the canvas by the artist. 

Chrobok has perfected the fast brushwork.
In his paintings the painted objects do not fade or disappear in the distance. The depth of space is only created
by proportions. 

His fascination for color is decisive in his paintings. How far can one go as a painterto let the
color speak without leading it into abstraction? 

Chrobok has found the solution.



(Kirstin Schwarz / Museum for contemporary art Siegen, Extract of introductory speech at the museum Bad
Berleburg 2012)

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