Zig & Puce, 2024
Laurent Messager  

Painting : oil, acrylic, mixed media · 30 x 20 x 3 cm 11.8 x 7.9 x 1.2 inch · Ready to hang

€340 340 €
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Shipped from: France

Delivery to: Germany , € 38

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 20 x 3 cm 11.8 x 7.9 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

37 x 27 x 4 cm 14.6 x 10.6 x 1.6 inch

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Vetted seller since 2021

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Description

Artist's Statement: “Zig and Puce are two hybrid animal characters inspired by Japanese imagery or animation. Two small Oni or Yokai demons resembling dogs, forming a single energetic unit, they are shaggy, all teeth bared, and quite agitated. These little monsters are undoubtedly more funny than dangerous in the end. A harmony of warm, spicy colors, like a chili pepper, striped with graffiti, for this small composition bursting with energy."

This vibrant artwork depicts a duo of fantastical creatures fused together, captivating the viewer with its bold colors and dynamic lines. The undulating textures, in shades of red and orange, evoke a whirlwind of energy and movement. The creatures, with their expressive eyes and exaggerated forms, stand out against a rich pink background interwoven with intricate geometric patterns. Every detail, from the sharp claws to the meticulous facial features, testifies to exceptional artistry. The use of hatching and contrasts underscores the intensity, lending the piece a striking visual depth. This decidedly modern work invites the viewer to explore an imaginary world bursting with energy and vitality.

Laurent Messager, Zig & Puce
France  • 1966

Presentation

See, observe reality as if we were discovering it at the moment. Starting from drawing, taking parts of visual reality, recomposing them to construct an expressive object, a sculpture or a painting which would have its own logic, its own balance. My work is always composed first on a sketch, whether in two dimensions or in volume, the drawing is my basis for reflection. I naturally focus a lot of my attention on colors. Flashy or discreet, smooth or rough, light or dark, they respond to each other and form the harmony of a work. Even my sculptures are most of the time polychrome as an echo of my painting works. Portraits, subjects often discussed, beyond the resemblance it is the deep and felt expression of a personality or a being that I have met or seen. The writings, recurring in my work as a painter, are generally inverted, like the da Vinci codices. These are indeed words or sentences, the meaning of which is linked to the spirit of the painting and its theme. It's like a form of written redundancy of the subject of the painting, it's background noise, it's the thought that never stops. My technique. In a word: 'mixed'. Acrylic first then reworked in oil by superposition, this process allows transparency and opacity of material effects or glaze appearance. I also have a particular affection for energetically brushed gestural effects to give movement to my composition and express this energy which is in all things. And in sculpture? Mixed too. It is a clever assembly of special cements, concrete and cut stone aggregated and sealed on a metal frame. The history of art. No painter can claim to do without it. No one emerges from nothing like pure genius. So yes, I am influenced by a lot of ancient and contemporary artists and I dig into their works with real pleasure. in bulk Bruegel, Botticelli, Michelangelo, Vinci, Dali, Francis Bacon, Picasso, Erro, Giacometti and many others. And I don't limit myself to large-scale painting, you can also see in my work the influence of comics or Graph.

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