Lost sioux, 2022
Painting : collage · 114 x 84 x 3 cm 44.9 x 33.1 x 1.2 inch · Ready to hang
$2,207
2 207 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 348
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
114 x 84 x 3 cm 44.9 x 33.1 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
116 x 86 x 4 cm 45.7 x 33.9 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
A visual artist born in 1964 in Limoges, Marie Ange is a portraitist and plumassière (feather artist). Through her portraits, she expresses her desire for aestheticism and femininity, as well as her inclination toward melancholy and nostalgia. Her faces are powerful and convey a rare emotion. This work is a collage of antique fabrics, leather, wool branches, and feathers… The choice of natural materials enriches the composition, evoking a deep connection with the earth and ancestral traditions. This painting transcends simple representation to become a visual exploration of identity and cultural heritage.
Presentation
Marie-Ange Daudé is a French artist born in 1967 who lives and works in Gironde in France.
She studied management and urban planning, she lived among architectes and artists and got interested in the creative process. Her ecological preoccupations can be seen in her work, especially in her first works which she created from waste such as glass, cans and boxes.
She made a collection of 68 hearts, between 2012 and 2013, in which she uses a different technique in each one of them, a sort of love and artistic walk. She then decided to offer a new interpretation of old photographs to which she adds surprising material and elements such as staples and feathers. These broken portraits, glued and reconstructed are a sort of personal interpretation of the passing time.
More recently, she has been creating portraits out of feathers: portraits of women, both strong and delicate and nostalgic. The feathers are suspended on nylon wire, which gives the impression that the portraits are floating over the support.
Her work has been exhibited in numerous group and solo exhibitions.
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