Gato sin botas, 2024
Zeta Yeyati  

Painting : collage, mixed media · 70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 1 cm 27.6 x 19.7 x 0.4 inch Height x Width x Depth

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Description

Gato sin botas invites the viewer to imagine what happens when a character escapes its storybook role. This 66x96 cm mixed media painting on paper, combining acrylic, stencil and collage, portrays a cat stripped of its fairy tale boots yet full of presence and personality. The ironic title reimagines the classic figure and transforms it into a symbol of individuality, of identity freed from conventions. The cat, drawn with essential lines and expressive eyes, stands at the center of the composition with elegance and autonomy. The color palette, based on yellows, blacks, greys and reds, creates a vivid and nostalgic atmosphere. The piece is enriched by visual textures, stains and overlapping materials, which build narrative depth and expressive complexity. As in all of Yeyati's works, the materials are recovered, reimagined, and infused with poetic value. Gato sin botas obra de Zeta Yeyati is not only a portrait, but a gentle affirmation that character and beauty can emerge from what is overlooked or left behind.

From drawing to poetic material a life turned into art
Zeta Yeyati, born in Burzaco in 1965, is an Argentine visual artist whose creative path began with drawing and woodwork in his childhood. Although widely recognized for his music career, his true artistic voice was formed through a visual relationship with everyday materials. His work is rooted in warmth, honesty and a sense of recovery, choosing to highlight imperfection as a source of meaning rather than flaw. His art is not about spectacle, but about evoking memory, humor and emotional resonance.

Gato sin botas obra de Zeta Yeyati and the narrative power of rescued matter
Gato sin botas obra de Zeta Yeyati encapsulates his artistic method. Yeyati's approach is intuitive and grounded in experience. He trained both in informal workshops and through everyday explorations of urban environments, where he collects fragments of discarded materials. In this work, the cat becomes a storyteller without words, a figure that invites multiple interpretations. Through layering, texture and graphic synthesis, Yeyati constructs a character that feels both whimsical and profound. Gato sin botas obra de Zeta Yeyati transforms a familiar figure into a quiet manifesto of individuality and creative freedom.

A character walking barefoot through our inner landscapes
There is something tender and quietly revolutionary about this cat without boots. He does not pretend or perform, he simply is. Through careful balance of humor and visual poetry, Zeta Yeyati creates a character that speaks of authenticity. This painting becomes a metaphor for what we discard or overlook, and how it can be revalued through art. Gato sin botas obra de Zeta Yeyati is a gentle but powerful reminder that we do not need adornments to leave a mark, only truth in how we walk through the world.

Zeta Yeyati, Gato sin botas

Zeta Yeyati

Argentina  • 1965

Presentation

Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.

A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.

In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.

Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.

Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.

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