Temps céleste, 2025
Hanna Sidorowicz  

Painting : pigment ink · 89 x 130 x 3 cm 35 x 51.2 x 1.2 inch

€4,800 4 800 €

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Shipped from: France

Delivery to: Germany , € 138

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

89 x 130 x 3 cm 35 x 51.2 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This captivating artwork is characterized by a dense array of blue dots, meticulously arranged on a rectangular surface. Employing the pointillist technique, the artist creates an intriguing depth and texture that draws the eye. The dots vary subtly in size and spacing, generating a dynamic and constant visual movement. The intense, uniform blue evokes both calm and vastness, inspiring profound contemplation. This composition, at once simple and complex, demonstrates a perfect mastery of visual harmony and offers a unique aesthetic experience. The work invites meditation while simultaneously stimulating the viewer's imagination, which continually discovers new forms and dimensions with each observation. This masterpiece is a bold testament to minimalist elegance and the expressive power of color.

Abstract

Circle

Dark blue

Hanna Sidorowicz, Temps céleste
France  • 1960
57 followers

Presentation

Hanna Sidorowicz was born in 1960 in Poland. She is soon supported by influential actors in the art world such as Pierre Cabanne and Cecile Debray. Many exhibits in art fairs (FIAC 1990) and artgalleries (France, USA, UK, Denmark...) followed over the next 20 years.

Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.

Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.


This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.

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