Dans le sens des aiguilles du monde, 2023
Jeremy Vatutin  

Painting : zinc · 116 x 81.4 x 3 cm 45.7 x 32 x 1.2 inch · Ready to hang

CHF 2,311 2 311 CHF

One of the last works available by this artist

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Shipping & delivery

Shipped from: France

Delivery to: Switzerland , CHF 122

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

116 x 81.4 x 3 cm 45.7 x 32 x 1.2 inch Height x Width x Depth

Artwork dimensions including frame

117 x 82 x 4 cm 46.1 x 32.3 x 1.6 inch

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Credentials

Vetted seller since 2024

Description

Two pieces of zinc joined together to create an abstract composition. The marks on the left side were formed by the natural erosion of what was originally a piece of roofing. The artist, who is also a roofer by trade, salvages these pieces of roofing from construction sites, in a spirit of appropriation and repurposing.

Abstract

Geometric

Abstract art

Grey

Jeremy Vatutin, Dans le sens des aiguilles du monde
France  • 1980

Presentation

A companion of duty, Jérémy Vatutin draws from his experience a poetic approach to architecture and a fascination for materials.

Inspired by optical and kinetic art, he creates unique works from zinc and lead recovered from the rooftops of Paris. These metals patinated by time, witnesses of an urban memory, become the raw material of his creations.

In his studio, he develops a process he calls "oxidography", where time, humidity and his intervention reveal the graphic and textured nuances of the metal. His works, halfway between sculpture and painting, often combine new and old fragments to question the passage of time. They bear the names of the collection locations, tracing the history of the buildings and acting as memory transmitters.

His work explores oppositions such as full and empty, mobile and immobile, or fold and unfold, while highlighting the invisible and the paradox of a creation born from utilitarian materials doomed to oblivion. By repairing roofs, Jérémy says he is trying to “repair the world," transforming fragments of architecture into captivating works of art, at the crossroads of art and craft.

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