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Dear Diary #2,
2025
Marianne Deruelle Zarembowitch
Painting : acrylic
30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch
€500
500 €
Secure delivery : France
+ €30
Shipping : Less than one week
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About the artwork
Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Dimensions cm • inch
30 x 30 x 2 cm 11.8 x 11.8 x 0.8 inch Height x Width x Depth
Support
Framing
Not framed
Artwork sold in perfect condition
Artwork location: France
This artwork combines vibrant layers of texture, color, and script, creating an intriguing visual tapestry. Dominated by deep blue shades, the image evokes a sense of depth and tranquility. The abstract script, in contrasting shades of yellow and pink, crosses the canvas, adding a dynamic element that suggests communication or untold stories. A singular white dot punctuates the image, drawing the eye and providing a focal point amid the swirling colors and textures. The overlapping layers of paint and pen create a rich, tactile surface that invites closer inspection. This piece uniquely captures the essence of modern abstraction, blending text and form into an evocative, multilayered expression.
About the seller
Independent artist • France
Vetted Seller
Collector’s Guide
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Presentation
After a fast-paced corporate career followed by a sudden rupture a few years ago, I undertook a journey of introspection to better understand my place in the world. From this inner exploration my art was born: each canvas becomes the vessel of a tumult of emotions, questions, and memories, all channeled through the pictorial gesture.
Deeply inspired by my travels across the world, I seek to capture in my paintings those suspended moments when horizon and light demand a pause. My works thus act as open windows toward a moment of distance and introspection, where the viewer can suspend time and confront themselves.
I call this approach inner ecology: returning to the essential, centering oneself, allowing what lies beneath to surface. In its original sense, ecology is “the science of the house." For me, that house is internal: it is about caring for it, creating balance, and cultivating presence within.
In the studio, this philosophy takes form through gesture. My creative process is deliberately slow and patient. Building my stretchers, preparing my canvases, working pigments with my hands—this first physical confrontation with matter marks the beginning of dialogue. Direct contact with the material removes any distance between emotion and surface. Through successive layers, each texture and shade absorbs the emotion I seek to transmit. It is an ecology of gesture and time, where slowness and closeness to matter reveal my sincerity and vulnerability.
This process gives birth to paintings that are not only meant to be seen, but to provoke a face-to-face encounter. They open a space for retreat, where the viewer may also practice their own inner ecology: to slow down, observe, and clarify what inhabits them
Painters
French
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