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Red is not Permission 1 - 21st Century Contemporary, Impressionist, Modern, 2026
Omoyeni Arogunmati  

Painting : oil · 35.6 x 25.4 x 2.5 cm 14 x 10 x 1 inch

€420 420 €
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Shipped from: Nigeria

Delivery to: Germany , € 87

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

35.6 x 25.4 x 2.5 cm 14 x 10 x 1 inch Height x Width x Depth

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Description

Red Is Not Permission presents a portrait of a man whose red lipstick becomes an assertion of autonomy rather than provocation. The bold red background amplifies visibility, while the color's reflection into the surrounding space suggests that self-expression cannot be confined or negotiated. A subtle touch of blue introduces emotional depth and restraint, balancing intensity with introspection. The work challenges assumptions around masculinity and expression, insisting that visibility is not an invitation and identity does not require permission.

Shipping Procedure:
Ships in a well-protected tube from Nigeria.
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity.

Omoyeni Arogunmati, Red is not Permission 1 - 21st Century Contemporary, Impressionist, Modern
Nigeria  • 1996

Presentation

Omoyeni Arogunmati is an award-winning visual artist born in Nigeria, She is currently a Blkarthouse Artist Advisory Board Member. Her love for art began at a young age, this encouraged her to study Fine Art at the Polytechnic Of Ibadan, Nigeria.

Omoyeni expresses her thoughts and feelings through a series of identical portraits painted in an impressionist style with varied degrees of abstraction. Her passions expose fundamental human feelings, exploits, and events, both exterior and intimate. She concentrates on the representation of human facial gestures through abstraction and simplification, making works that reference both impressionism and abstract art trends. The degree of abstraction changes only slightly from painting to painting, which has been a source of contention because it prevents visual conformity.

Short and long brush and palette knife strokes filled with a mass dollop of oil or acrylic paint applied on canvas are featured in her work. This technique gives a layered impression and textured look. She uses only a few shades of color, paints a large area with one bright main color, and then emphasizes it with smaller highlights of other primary colors. Her whole palette is composed of black and raw color blends, with the white of her canvas serving as a contrast to the dark tones.

Omoyeni's works follow the trends of Carlos Delgado's "Faces of the System" collection, displaying comparable expressions in various facial moods. They are the emotional expression of her inspiration and experiences.

She has established projected work collections, which are represented by several art galleries both at home and abroad and can be found in private collections her work forms part of the permanent collections of the Embassy of Irish office in Abuja, Nigeria, and also a commission work of Betty Holbeton, Founder of Roboflow in Washington DC, USA.

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