Beachhouse with pink sky, 2026
Peter de Boer   New & remarkable Artists

Painting : oil, tempera · 24 x 30 x 1 cm 9.4 x 11.8 x 0.4 inch · Ready to hang

$644 644 $US
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Shipped from: Netherlands

Delivery to: United States , $ 78

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

24 x 30 x 1 cm 9.4 x 11.8 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

25 x 31 x 3 cm 9.8 x 12.2 x 1.2 inch

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Description

This artwork presents a captivating seascape at dusk, where the artist masterfully blends subdued pastel hues. The sky, a wash of pink and blue, reflects beautifully on the tranquil water, creating a serene atmosphere. In the foreground, gentle waves lap against a sandy shore defined by foam-tipped crests, guiding the viewer's gaze towards a solitary, weathered structure. This building, perched on stilts and slightly obscured by the terrain, suggests themes of isolation and resilience. The muted colors and soft brushwork evoke a sense of calm and nostalgia, while vertical posts along the beach add depth and lead the eye into the background. The juxtaposition of the peaceful sea and the stark silhouette of the structure creates a balanced composition, making this piece an exquisite exploration of nature and human presence.

Peter de Boer, Beachhouse with pink sky

Peter de Boer

Netherlands  • 1979
274 followers

Presentation

Painter Peter de Boer (The Netherlands, 1979) feels strongly connected to the sea. Intense nature experiences such as described and painted in Romanticism are a source of inspiration and starting point for de Boer. On a surfboard in the North Sea, surrounded by nothing but sea and swell, with a view of the horizon or towards the beach and dunes. In it he finds an image of the infinite, the passive contemplation of the eternal, during a temporary moment.

The horizon is a foothold but at the same time is a natural limit that indicates infinity. When the sun disappears behind it, a sense of time and transience arises. Perhaps that is why we often let ourselves be tempted into melancholy when we set our sights on the horizon.

De Boer often shows a path leading to the sea in his seascapes and dune landscapes. The sea as a destination or goal is a metaphor for freedom. Sometimes there are people in the landscapes or seascapes. Surfers, beachcombers and naval heroes; it is those who are attracted to the sea.

His paintings are an aesthetic rendition of freedom and infinity, but at the same time show a sublime threat that frightens us as it transforms from rippling to a savage lure.

When, in those days, travelers pulled blindfolded through the Alps of Italy in order not to see the cruel nature, in nature as we know it the traces of human presence are almost always visible in the landscape. This human presence deems Boer as both reassuring and disturbing.

Reassuring because it indicates that the area is not completely inhospitable, a certain safety is experienced, if one is 'among the people' or sees another ship or cabin, one is not alone. Unification with nature does not seem to be reserved for man. Although nature can evoke aesthetic pleasures, at the same time it turns out to be inhospitable. But in this case, with signs of human presence, the landscape seems tamed and under control.

Disturbing, on the other hand, because the same humanity peoples, depletes, pollutes and even destroys the natural beauty with ever increasing speed. The balance turns out to go completely the wrong way and environmental organizations worldwide raise alarms. Do we still know how to turn the tide in time, do we still gain insight and do we go into action before it is too late?

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