Emerald Flow II - Modern Fluid Abstract Green Blue Oil Artwork, 2026
Yana Dmitrieva  

Painting : oil · 30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch · Ready to hang

CHF 431 431 CHF
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Shipped from: Montenegro

Delivery to: Switzerland , CHF 68

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch Height x Width x Depth

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Credentials

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Description

This modern abstract artwork presents a fluid interpretation of water and light in constant motion. Rich emerald, turquoise, and deep blue tones interact across a circular canvas, creating a sense of depth and movement that evolves depending on the viewer's perspective.

The composition is inspired by the natural behavior of water—its reflections, distortions, and ever-changing surface. The artist translates this into expressive oil textures that feel organic and immersive. It's the kind of artwork that doesn't just decorate a wall—it subtly changes the atmosphere of the entire room.

Perfect for contemporary interiors, this piece works as a focal point in living spaces, bedrooms, or creative environments. It also makes a sophisticated and memorable gift for anyone drawn to abstract or nature-inspired art.

Abstract

Seascape

Aquatic

Semi-abstract

Waves

Dark blue

Green

Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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