Emerald Flow IV | Abstract Ocean-Inspired Round Oil Artwork, 2026
Yana Dmitrieva  

Painting : oil · 30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch · Ready to hang

$500 500 $US
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Shipped from: Montenegro

Delivery to: United States , $ 92

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 1.5 cm 11.8 x 11.8 x 0.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This abstract artwork captures the essence of water in motion, using fluid brushstrokes and layered oil techniques to create depth and movement. The interplay of emerald green, blue, and soft white tones evokes reflections on the ocean surface, shifting between calm and subtle energy. The circular canvas format removes traditional boundaries, allowing the composition to feel continuous and organic.

Created as part of the “Luminous Depth" series, this piece can function as a standalone statement or as part of a larger modular arrangement. It is particularly suited for contemporary interiors, adding a sense of calm and visual sophistication. An excellent choice for collectors or as a thoughtful gift, this artwork brings both aesthetic value and emotional balance to a space.

Abstract

Aquatic

Abstract expressionism

Sea

Ocean

Semi-abstract

Green

Purple

Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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