Plage matin calme - Série Paysages, 2026
William Fautré  

Painting : acrylic · 20 x 20 x 1.5 cm 7.9 x 7.9 x 0.6 inch · Ready to hang

€150 150 €
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Shipped from: France

Delivery to: France , € 14

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

20 x 20 x 1.5 cm 7.9 x 7.9 x 0.6 inch Height x Width x Depth

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Credentials

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Description

This artwork captures the essence of a peaceful coastal landscape. A golden beach dominates the foreground, its warm tones evoking the softness of sun-kissed sand. The horizon is subtly defined by a narrow strip of blue sea, reflecting a soporific tranquility. The sky occupies most of the canvas, painted in serene shades of blue and dotted with wispy clouds, suggesting a gentle sea breeze. Fluid brushstrokes and vibrant colors masterfully capture the light and atmosphere of a radiant summer day. This painting is distinguished by its ability to convey an immediate sense of calm and freedom, transporting the viewer to a place of quiet contemplation and waking dream. A masterpiece of visual escapism.

Abstract

Seascape

Sky

Colors

Horizon

Beach

Semi-abstract

Yellow

Sky blue

William Fautré, Plage matin calme - Série Paysages
France  • 1958

Presentation

Born in 1958 in Normandy, William Fautré, who worked for thirty-five years as a photographer for specialist nature and tourism magazines (Terre Sauvage, Grands Reportages), has always painted alongside his professional career.
 

Self-taught, he also took sculpture classes in the studio of Pascal Gilbert de Vautibault, a resident of the Villa Medici. From his years as a photographer, he has retained a keen eye for detail, a careful selection of light, a precise sense of composition, and a deep immersion in the natural environment. His paintings mainly depict semi-abstract landscapes.
 

For him, a landscape is not merely a backdrop; it is also a vehicle for emotions. It transforms with the play of light. From those hours spent capturing the indefinable, he has retained a sense of fulfilment and energy. His paintings seek to recapture that unity of the moment. Standing before the canvas, emotions resurface. A horizon line where colours and shapes gradually compose landscapes that evolve on the edge of abstraction. It is this boundary that interests him, for it leaves room for the imagination. Little by little, the elements take shape as the painting is constructed. “I do not intend to reproduce nature, but to find my place alongside it.”

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